Airplane! | |
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Directed by | |
Written by |
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Based on | Zero Hour! by Arthur Hailey Hall Bartlett John Champion |
Produced by | Jon Davison |
Starring | |
Cinematography | Joseph Biroc |
Edited by | Patrick Kennedy |
Music by | Elmer Bernstein |
Production companies | |
Distributed by | Paramount Pictures |
Release dates |
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Running time | 87 minutes[2] |
Country | United States |
Language | English |
Budget | $3.5 million[3] |
Box office | $171 million[4] |
Airplane! (alternatively titled Flying High!)[5] is a 1980 American disaster comedy film written and directed by Jim Abrahams and brothers David and Jerry Zucker in their directorial debut,[6] and produced by Jon Davison. It stars Robert Hays and Julie Hagerty and features Leslie Nielsen, Robert Stack, Lloyd Bridges, Peter Graves, Kareem Abdul-Jabbar, and Lorna Patterson.[6] It is a parody of the disaster film genre, particularly the 1957 Paramount film Zero Hour!, from which it borrows the plot, central characters, and some dialogue.[7][8] It also draws many elements from Airport 1975 and other films in the Airport series. It is known for using surreal humor and fast-paced slapstick comedy, including visual and verbal puns, gags, running jokes, and dark humor.
Released by Paramount Pictures, it was a critical and commercial success, grossing $171 million worldwide against a budget of $3.5 million.[9] The creators received the Writers Guild of America Award for Best Adapted Comedy, and nominations for the Golden Globe Award for Best Motion Picture – Musical or Comedy and for the BAFTA Award for Best Screenplay.
Since its release, the film’s reputation has grown substantially. It ranked sixth on Bravo's 100 Funniest Movies.[10] In a 2007 survey by Channel 4 in the United Kingdom, it was judged the second-greatest comedy of all time, behind Monty Python's Life of Brian.[11] In 2008, it was selected by Empire magazine as one of 'The 500 Greatest Movies of All Time', and in 2012 was voted #1 on The 50 Funniest Comedies Ever poll.[12] In 2010, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[13][14][15]
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