| Ajmer Jain temple | |
|---|---|
Soniji Ki Nasiyan | |
 Ajmer Jain Temple | |
| Religion | |
| Affiliation | Jainism |
| Sect | Digambara |
| Deity | Rishabhanatha |
| Festivals | Mahavir Jayanti |
| Location | |
| Location | Ajmer, Rajasthan |
  Location within Rajasthan | |
| Geographic coordinates | 26°27′N 74°38′E / 26.45°N 74.64°E |
| Architecture | |
| Creator | Seth Moolchand Soni |
| Date established | 1864–1895 |
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The Ajmer Jain temple, also known as Soniji Ki Nasiyan, is a Jain temple known for its architecture. It was built in the late nineteenth century. The main chamber, known as the Swarna Nagari "City of Gold", has several gold-plated wooden figures, depicting several figures in the Jain religion. This golden chamber of the temple uses 1,000 kg of gold to carve out a depiction of Ayodhya.[1]
Kurt Titze, in his book, "Jainism: A Pictorial Guide to the Religion of Non-Violence" (1998, p. 143), writes on Soniji Ki Nasiyan:[2]
"Ajmer's main attraction is - for the Jainas - the prominently situated Nasiayan Digambara Temple, or rather the two-storied Svarana Nagara Hall behind the temple, better known as the Museum. Both the temple and the museum were built and are still owned by the Soni family of Ajmer. The temple, dedicated to Rishabha or Adinatha in 1865, was constructed of red sandstone in a matter of a few years. Still, it took twenty-five years, from 1870 to 1895, to fashion - by artisans at Jaipur - the thousands of individual parts required to assemble a three-dimensional replica of the story of Rishabha following an old manuscript by Acharya Jinasena.
The thought of having such a three-dimensional model for educational purposes occurred to Seth Moolchand Soni, who was born in 1830, only after the completion of the temple. His death in 1891 prevented him from seeing his ambitious work in its finished state.
In many Jaina temples, one sees painted or figurative representations of the 'five auspicious events' (pancha-kalyanak) in the life of every Tirthankara: conception, birth, renunciation, enlightenment, and salvation (moksha or nirvana). The one at Ajmer, now over a hundred years old, is by far the largest and most artistic plastic representation of that much-loved mythological narrative. A specially designed hall of 24.3 m by 12.2 m had to be built to display it effectively. It is open to visitors of all religions every day all the year round for a very small entry fee."
- ^ "This Temple In Rajasthan Has A Golden Chamber heavy quantity Of Gold Was Used To Carve Out Depictions Of Ayodhya. It's Truly Mesmerizing!". Daily Bhaskar. 24 July 2017. Retrieved 29 July 2017.
- ^ Titze & Bruhn 1998, p. 143.