While alliteration is common in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.[7]: 41 However, structural alliteration appears in a variety of poetic traditions, including Old Irish, Welsh, Somali and Mongol poetry.[8][9][10][11] The extensive use of alliteration in the so-called Kalevala meter, or runic song, of the Finnic languages provides a close comparison, and may derive directly from Germanic-language alliterative verse.[12]
Unlike in other Germanic languages, where alliterative verse has largely fallen out of use (except for deliberate revivals, like Richard Wagner's 19th-century German Ring Cycle[13]), alliteration has remained a vital feature of Icelandic poetry.[14] After the 14th Century, Icelandic alliterative poetry mostly consisted of rímur,[15] a verse form which combines alliteration with rhyme. The most common alliterative ríma form is ferskeytt, a kind of quatrain.[16] Examples of rimur include Disneyrímur by Þórarinn Eldjárn, ''Unndórs rímur'' by an anonymous author, and the rimur transformed to post-rock anthems by Sigur Ros.[17] From 19th century poets like Jonas Halgrimsson[18] to 21st-century poets like Valdimar Tómasson, alliteration has remained a prominent feature of modern Icelandic literature, though contemporary Icelandic poets vary in their adherence to traditional forms.[19]
By the early 19th century, alliterative verse in Finnish was largely restricted to traditional, largely rural folksongs, until Elias Lönnrot and his compatriots collected them and published them as the Kalevala, which rapidly became the national epic of Finland and contributed to the Finnish independence movement.[20] This led to poems in Kalevala meter becoming a significant element in Finnish literature[21][22] and popular culture.[23]
^Sommer, Herbert W. (October 1960). "The Muspilli-Apocalypse". The Germanic Review: Literature, Culture, Theory. 35 (3): 157–163. doi:10.1080/19306962.1960.11787011.
^Travis, James (April 1942). "The Relations between Early Celtic and Early Germanic Alliteration". The Germanic Review: Literature, Culture, Theory. 17 (2): 99–105. doi:10.1080/19306962.1942.11786083.
^Adalsteinsson, Ragnar Ingi (2014). Traditions and Continuities: Alliteration in Old and Modern Icelandic Verse. University of Iceland Press. ISBN978-9935-23-036-2.
^Vésteinn Ólason, 'Old Icelandic Poetry', in A History of Icelandic Literature, ed. by Daisy Nejmann, Histories of Scandinavian Literature, 5 (Lincoln: University of Nebraska Press, 2006), pp. 1-63 (pp. 55-59).
^Wilson, William A. (1975). "The 'Kalevala' and Finnish Politics". Journal of the Folklore Institute. 12 (2/3): 131–155. doi:10.2307/3813922. JSTOR3813922.
^Simonsuuri, Kirsti (1989). "From Orality to Modernity: Aspects of Finnish Poetry in the Twentieth Century". World Literature Today. 63 (1): 52–54. doi:10.2307/40145048. JSTOR40145048.
^Alhoniemi, Pirkko; Binham, Philip (1985). "Modern Finnish Literature from Kalevala and Kanteletar Sources". World Literature Today. 59 (2): 229. doi:10.2307/40141460. JSTOR40141460.
^Wise, Dennis Wilson (June 2021). "Poul Anderson and the American Alliterative Revival". Extrapolation. 62 (2): 157–180. doi:10.3828/extr.2021.9. S2CID242510584.
^ abWilson Wise, Dennis (2021). "Antiquarianism Underground: The Twentieth-century Alliterative Revival in American Genre Poetry". Studies in the Fantastic. 11 (1): 22–54. doi:10.1353/sif.2021.0001. S2CID238935463.
^ abWise, Dennis, ed. (2023-12-15). Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology. Fairleigh Dickinson University Press. ISBN978-1-68393-329-8.