| The Apocalypse Tapestry | |
|---|---|
 | |
| Artist | Jean Bondol and Nicholas Bataille |
| Year | 1377–1382 |
| Type | Tapestry |
| Location | Musée de la Tapisserie, Château d'Angers, Angers |
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382. It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.[1]
It is the most significant, and almost the only, survival from the first decades of the great period of tapestry, when the industry developed large workshops and represented the most effective art form for exhibiting the magnificence of royal patrons, not least because large tapestries were hugely expensive. The period began in about 1350, and lasted until at least the 17th century, as tapestry was gradually overtaken in importance by paintings.[2] At this early point relatively few tapestries were made to designs specified by the patron, which seems clearly to have been the case here.[3]
The main weaving centres were ruled by the French and Burgundian branches of the House of Valois, who were extremely important patrons in the period. This began with the four sons of John II of France (d. 1362): Charles V of France, Louis of Anjou, John, Duke of Berry and Philip the Bold, Duke of Burgundy.[citation needed]
Their respective inventories reveal they owned several hundred tapestries between them. The Apocalypse Tapestry is almost the only clear survival from these collections, and the most famous tapestry from the 14th century.[4]
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Its survival was helped by being given by a later Duke of Anjou in 1480 to Angers Cathedral, where it was kept until the French Revolution, during which it was dispersed and large parts of it destroyed. Most of the tapestry was recovered and restored in the 19th century and is now on display at the Château d'Angers. It is the largest set of medieval tapestries to have survived, and historian Jean Mesqui considers it "one of the great artistic interpretations of the revelation of Saint John, and one of the masterpieces of French cultural heritage".[5]