Arthur Kingsley Porter (1883–1933) was an American archaeologist, art historian, and medievalist. He was chair of Harvard University’s art history department, and was the first American scholar of Romanesque architecture to achieve international recognition.[1] Porter disappeared in 1933. His most significant scholarly contributions were his revolutionary studies and insights into the spread of Romanesque sculpture.[2] His study of Lombard architecture also remains the first in its class. He left his Cambridge mansion, Elmwood, to Harvard University, where it has served as the official residence of Harvard's president since 1970.[3]
^"Porter, A. Kingsley". Jahn, Johannes, ed. Die Kunstwissenschaft der Gegenwart in Selbstdarstellungen. Leipzig: F. Meiner, 1924, vol.1. pp. 77-93; Porter, Lucy K. 'A. Kingsley Porter.' in Medieval Studies in Memory of A. Kingsley Porter. vol. 1. Cambridge, MA: Harvard University Press, 1939, pp. xi-xv; Kleinbauer, W. Eugene. Modern Perspectives in Western Art History: An Anthology of 20th-Century Writings on the Visual Arts. New York: Holt, Rinehart and Winston, 1971, mentioned pp. 39, 49, 85; Kleinbauer, W. Eugene. Research Guide to the History of Western Art. Sources of Information in the Humanities, no. 2. Chicago: American Library Association, 1982, p. 125 mentioned; Nercessian, Nora. "In Desperate Defiance: A Modern Predicametn for Medieval Art." Res: Anthropology and Aesthetics 7-8 (Spring/Autumn 1984): 137-146; Ehresmann, Donald L. Architecture: A Bibliographic Guide to Basic Reference Works, Histories and Handbooks. Littleton, CO: Libraries Unlimited, 1984, nos. 533, 535; Bazin, Germain. Histoire de l'histoire de l'art; de Vasari à nos jours. Paris: Albin Michel, 1986, pp. 258-260, 544-545; The Dictionary of Art; Seidel, Linda. "The Scholar and the Studio: A. Kingsley Porter and the Study of Medieval Architecture in the Decade Before the War." in The Architectural Historian in America: A Symposium in Celebration of the 50th Anniversary of the Founding of the Society of Architectural Historians. Washington, DC: National Gallery of Art, 1990, pp. 145-58; Mann, Janice. "Romantic Identity, Nationalism, and the Understanding of the Advent of Romanesque Art in Christian Spain." Gesta 36 no. 2 (1997): 156-64; Brush, Kathryn. "The Unshaken Tree: Walter W. S. Cook on German Kunstwissenschaft in 1924." Zeitschrift des deutschen Vereins für Kunstwissenschaft 52/53 (1998/99): 28; Crow, Thomas E. "The Intelligence of Art." The Intelligence of Art. Chapel Hill, NC: University of North Carolina Press, 1999, pp. 6-10; Seidel, Linda. "Arthur Kingsley Porter (1883-1933)" in Medieval Scholarship: Biographical Studies on the Formation of a Discipline. Volume 3. New York: Garland, 2000, pp. 273-86; Petro, Pamela. The Slow Breath of Stone: a Romanesque Love Story. New York: Fourth Estate, 2005; Cahn, Walter. "Romanesque Art, Then and Now: A Personal Reminiscence." in Hourihane, Colum, ed. Romanesque Art and Thought in the Twelfth Century: Essays in Honor of Walter Cahn. University Park, PA: Penn State Press, 2008, pp. 32-33. 21 February 2018.