Bassae Frieze

Bassae Frieze
The Bassae Frieze in the British Museum
Materialmarble
Size31 × 0.63 m
Created420–400 BCE
Discovered1811–1812 by a group including Cockerell, Haller, Linkh, Foster, Legh, Gropius, Baron von Stackelberg, Peter Brondsted
Present locationBritish Museum, London
Identification1815,1020.2; 1815,1020.7; 1815,1020.11 etc

The Bassae Frieze is the high relief marble sculpture in 23 panels, 31 m long by 0.63 m high, made to decorate the interior of the cella of the Temple of Apollo Epikourios at Bassae. It was discovered in 1811 by Carl Haller and Charles Cockerell, and excavated the following year by an expedition of the Society of Travellers led by Haller and Otto von Stackelberg. This team cleared the temple site in an endeavour to recover the sculpture, and in the process revealed it was part of the larger sculptural programme of the temple including the metopes of an external Doric frieze and an over-life-size statue. The find spots of the internal Ionic frieze blocks were not recorded by the early archaeologists, so work on recreating the sequence of the frieze has been based on the internal evidence of the surviving slabs and this has been the subject of controversy.

Archaeological research has determined that the site of the present ruin of the temple of Apollo was in continuous use since the archaic period,[1] the existing temple is the last of four on the site and designated Apollo IV. Pausanias[2] records that this last sanctuary was dedicated to Apollo Epikourios (helper or succourer) by the Phigalians in thanks for delivery from the plague of 429 BC.[3] The architecture of the temple is one of the most strikingly unusual examples of the period, departing significantly from the norms of Doric and Ionic practice and including what is perhaps the first use of the Corinthian order and the first temple to have a continuous frieze around the interior of the naos. From the style of the frieze it belongs to the High Classical period, probably carved around 400 BC. Nothing is known of its authorship: despite an ascription of the metopes to Paionios[4] (since refuted[5]), the frieze cannot be associated with any sculptor, workshop or school. Instead Cooper identifies the artists of the frieze on morellian evidence as a group of three anonymous masters.[6]

The frieze was bought at auction by the British Museum in 1815 where it is now on permanent display in a specially constructed room in Gallery 16.[7] While the British Museum possesses most of the sculpture, eight fragments believed to belong to the frieze are in the National Museum, Athens.[8] Copies of this frieze decorate the walls of the Ashmolean Museum and London's Travellers Club.

  1. ^ Discovered in 1959 by N Yalouris and confirmed by a subsequent dig in 1970, see Cooper, Bassitas:1, p.81 ff.
  2. ^ 8.41.7 ff.
  3. ^ Contemporary with, but not necessarily related to, the Plague of Athens as Pausanias would contradict Thucydides 2.54.5 that the plague didn't affect the Peloponnese. This inconsistency has led Carl Peterson to propose a date of c. 420 for the dedication of the temple. See Cooper, Bassitas:1, p.75.
  4. ^ Made by Hofkes-Brukker, principally in Die Nike des Paionios und der Bassaefries, Babesch, 36, 1961, see Madigan, Bassitas:3, p.34
  5. ^ Madigan, Bassitas:3, p.35–6
  6. ^ Though the number is by no means agreed upon, Madigan:Bassitas:3, p.91, n.1 remarks that H. Kenner detects 9, Rhys Carpenter in unpublished notes finds 5, BS Ridgway 4 and U. Liepmann 3 groups with a pattern of influence working amongst them.
  7. ^ Cite error: The named reference BM was invoked but never defined (see the help page).
  8. ^ Cooper, Madigan, Bassitas:3, p.113 ff.