Bernadette Wegenstein

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) The topic of this article may not meet Wikipedia's notability guideline for academics. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: "Bernadette Wegenstein" – news · newspapers · books · scholar · JSTOR (August 2019) (Learn how and when to remove this message) This biography of a living person relies too much on references to primary sources. Please help by adding secondary or tertiary sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. Find sources: "Bernadette Wegenstein" – news · newspapers · books · scholar · JSTOR (August 2019) (Learn how and when to remove this message) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. Find sources: "Bernadette Wegenstein" – news · newspapers · books · scholar · JSTOR (August 2017) (Learn how and when to remove this message) (Learn how and when to remove this message)

Bernadette Wegenstein
Born	1969
Occupation	Research Professor and Director, Center for Advanced Media Studies, Johns Hopkins University
Nationality	Austrian
Alma mater	University of Vienna
Genre	Nonfiction
Subject	Media theory

Bernadette Wegenstein (born 1969)^[1] is a Research Professor and director of the Center for Advanced Media Studies at Johns Hopkins University. She has written books on media theory including Getting Under the Skin: Body and Media Theory, The Cosmetic Gaze: Body Modification and the Construction of Beauty.^[2]