Binary opposition

A binary opposition (also binary system) is a pair of related terms or concepts that are opposite in meaning. Binary opposition is the system of language and/or thought by which two theoretical opposites are strictly defined and set off against one another.[1] It is the contrast between two mutually exclusive terms, such as on and off, up and down, left and right.[2] Binary opposition is an important concept of structuralism, which sees such distinctions as fundamental to all language and thought.[2] In structuralism, a binary opposition is seen as a fundamental organizer of human philosophy, culture, and language.

Binary opposition originated in Saussurean structuralist theory.[3] According to Ferdinand de Saussure, the binary opposition is the means by which the units of language have value or meaning; each unit is defined in reciprocal determination with another term, as in binary code. For instance, 'hot' gains meaning because of its relation to 'cold,' and vice versa. It is not a contradictory relation but a structural, complementary one.[3] Saussure demonstrated that a sign's meaning is derived from its context (syntagmatic dimension) and the group (paradigm) to which it belongs.[4] An example of this is that one cannot conceive of 'good' if we do not understand 'evil'.[5]

Typically, one of the two opposites assumes a role of dominance over the other. The categorization of binary oppositions is "often value-laden and ethnocentric", with an illusory order and superficial meaning.[6] Furthermore, Pieter Fourie discovered that binary oppositions have a deeper or second level of binaries that help to reinforce meaning. As an example, the concepts hero and villain involve secondary binaries: good/bad, handsome/ugly, liked/disliked, and so on.[7]

  1. ^ Smith, G. (1996). "Binary opposition and sexual power in Paradise Lost". Midwest Quarterly. 27 (4): 383.
  2. ^ a b Baldick, C 2004. The concise Oxford Dictionary of literary terms,
  3. ^ a b Fogarty, S 2005, The literary encyclopedia, viewed 12 October 2024, https://www.litencyc.com/php/stopics.php?rec=true&UID=122
  4. ^ Lacey, N 2000, Narrative and Genre, p.64, Palgrave, New York.
  5. ^ Lacey, N 2000, Narrative and Genre, p. 65, Palgrave, New York
  6. ^ Goody 1977, p. 36
  7. ^ Fourie, Pieter (2001). Media Studies Volume 2: Content, Audiences and Production. Lansdowne: Juta Education.