Blast beat

\version "2.22.0"
\header { tagline = ##f}
\score {
  \drums \with {midiInstrument = "drums"}
  \with { \numericTimeSignature }
  {
    \tempo 4 = 180
    \repeat volta 2 {
      <<{cymra8 cymra cymra cymra cymra cymra cymra cymra}\\{<bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 }>>\break
    }
  }
  \layout {}
}

\score {
  \unfoldRepeats {
    \drums \with {midiInstrument = "drums"}{
      \repeat volta 2 {
        <<{cymra8 cymra cymra cymra cymra cymra cymra cymra}\\{<bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 <bd sne>8 }>>\break
      }
    }
  }
  \midi { \tempo  4 = 180 }
}
Hammer Blast beat drum pattern
The most common and simple blast beat pattern is found in "Scum" by Napalm Death in 1987 at 1:18[1] Play

A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal,[2] and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal."[2] Blast beats have been described by PopMatters contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".[3]

"The 'original' or traditional blastbeat is a single-stroke roll played between your cymbal and snare, with your kick playing simultaneously with every cymbal hit."[1]

Napalm Death is said to have coined the term, though this style of drumming had previously been used by others for its characteristically chaotic sound.[citation needed]

  1. ^ a b Schlueter, Brad (2016). "11 Blastbeats To Master: Improve Your Technique With This Extreme Chops Challenge", DrumMagazine.com.
  2. ^ a b Adam MacGregor, PCP Torpedo by Agoraphobic Nosebleed review, Dusted, 11 June 2006. [1] Archived 21 December 2008 at the Wayback Machine Access date: 2 October 2008. "There is one uniformly present attribute in all examples of 'grindcore', that being the so-called 'blast-beat.'"
  3. ^ Strub, Whitney (11 May 2006). ""Behind the Key Club: An Interview with Mark 'Barney' Greenway of Napalm Death", PopMatters". Archived from the original on 30 October 2008. Retrieved 4 July 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link)