Carte de visite

André-Adolphe-Eugène Disdéri (May–August 1863) Schneider. Uncut, unmounted carte-de-visite albumen silver print from glass negative 18.8 x 24.3 cm (7 3/8 × 9 9/16 in.). Gilman Collection, Gift of The Howard Gilman Foundation, Metropolitan Museum of Art

The carte de visite (French: [kaʁt də vizit], English: 'visiting card', abbr. 'CdV', pl. cartes de visite) was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero.

Each photograph was the size of a visiting card, and such photograph cards, in an early form of social media,[1] were commonly traded among friends and visitors in the 1860s. Albums for the collection and display of cards became a common fixture in Victorian parlors. The popularity of the format and its rapid uptake worldwide were due to their relative cheapness, which made portrait photographs accessible to a broader demographic,[2] and prior to the advent of mechanical reproduction of photographs, led to the publication and collection of portraits of prominent persons. It was the success of the carte de visite that led to photography's institutionalisation.[3]

  1. ^ Di Bello, Patrizia (19 March 2013). "Carte-de-visite: the photographic portrait as ʻsocial mediaʼ" (PDF). Understanding British Portraits: Copy, Version and Multiple: the replication and distribution of portrait imagery. – via Seminar: M Shed, Bristol.
  2. ^ Cite error: The named reference :4 was invoked but never defined (see the help page).
  3. ^ Batchen, Geoffrey; Gitelman, Lisa (2019). "Afterword: Media History and History of Photography in Parallel Lines". In Leonardi, Nicoletta; Natale, Simone (eds.). Photography and other media in the nineteenth century (2nd ed.). Pennsylvania: Penn State University Press. p. 197. ISBN 9780271079165. OCLC 1097575379.