Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style.[5] Compared with the norms of medieval art, his works have more lifelike figural proportions and a more sophisticated use of shading to suggest volume. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto,[2] the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise.[6]
^J. A. Crowe; G. B. Calvalcaselle (1975). A History of Painting in Italy; Umbria, Florence and Siena from the Second to the Sixteenth Century. Vol. 1. AMS Press. p. 202.
^Fred Kleiner (2008). Gardner's Art through the Ages: A Global History. Vol. 2. Cengage Learning EMEA. p. 502.
^Hayden B.J. Maginnis (2004). "In Search of an Artist". In Anne Derbes; Mark Sandona (eds.). The Cambridge Companion to Giotto. Cambridge. pp. 12–13.{{cite book}}: CS1 maint: location missing publisher (link)