Claude Cahun | |
---|---|
Born | Lucy Renee Mathilde Schwob 25 October 1894 Nantes, France |
Died | 8 December 1954 | (aged 60)
Resting place | St Brelade's Church 49°11′03″N 2°12′10″W / 49.1841°N 2.2029°W |
Known for | Photography, writing, sculpture, collage |
Movement | Surrealism |
Partner | Marcel Moore (1909–1954)[1] |
Claude Cahun (French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob;[2] 25 October 1894 – 8 December 1954) was a French surrealist photographer, sculptor, and writer.[3]
Schwob adopted the pseudonym Claude Cahun in 1914.[4] Cahun is best known as a writer and self-portraitist, who assumed a variety of performative personae.
In her writing, she consistently referred to herself as elle (she),[5] and this article follows her practice; but she also said that her actual gender was fluid. For example, in Disavowals, Cahun writes: "Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me."[6] Cahun is most well known for her androgynous appearance, which challenged the strict gender roles of her time.
During World War II, Cahun was also active as a resistance worker and propagandist, founding the leftist group Contre Attaque, a union of communist writers, artists and workers, alongside André Breton and Marcel Moore.[7]