Combination tone

Combination tones: Unison, just perfect fifth, and octave are played in top row while A220 is sustained in second row, producing third row sum tones and fourth row difference tones. Frequencies are marked in Hz. Midi example contains all four voices for illustration only. Play
Difference tones (bottom) between "Yankee Doodle" in F (top) and a drone on C (middle)[1] Play top, drone, both, difference tones, or all three
Sum and difference of frequencies (left) and sum and difference of two pairs of sine waves (right) with frequencies of 1 and 2 (top) and 1 and 3 (bottom)
sum and difference of the frequencies
sum and difference of the sine waves

A combination tone (also called resultant or subjective tone)[2] is a psychoacoustic phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time. Their discovery is credited to the violinist Giuseppe Tartini[3] and so they are also called Tartini tones.

There are two types of combination tones: sum tones whose frequencies are found by adding the frequencies of the real tones, and difference tones whose frequencies are the difference between the frequencies of the real tones. "Combination tones are heard when two pure tones (i.e., tones produced by simple harmonic sound waves having no overtones), differing in frequency by about 50 cycles per second [Hertz] or more, sound together at sufficient intensity."[2]

Combination tones can also be produced electronically by combining two signals in a circuit that has nonlinear distortion, such as an amplifier subject to clipping or a ring modulator.

  1. ^ Benade, Arthur H. (2014). Horns, Strings, and Harmony, p.83. Courier, Dover Books on Music. ISBN 9780486173597.
  2. ^ a b "Combination Tone", Britannica.com. Accessed September 2015.
  3. ^ "Tartini, Giuseppe". Enciclopedia Italiana. Retrieved 1 April 2021.