Demiurge

In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge (/ˈdɛmi.ɜːr/) (sometimes spelled as demiurg) is an artisan-like figure responsible for fashioning and maintaining the physical universe. Various sects of Gnostics adopted the term demiurge. Although a fashioner, the demiurge is not necessarily the same as the creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered consequences of something else. Depending on the system, they may be considered either uncreated and eternal or the product of some other entity. Some of these systems are monotheistic while others are henotheistic or polytheistic.

The word demiurge is an English word derived from demiurgus, a Latinised form of the Greek δημιουργός or dēmiurgós. It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator". The philosophical usage and the proper noun derive from Plato's Timaeus, written c. 360 BC, where the demiurge is presented as the creator of the universe. The demiurge is also described as a creator in the Platonic (c. 310–90 BC) and Middle Platonic (c. 90 BC–AD 300) philosophical traditions. In the various branches of the Neoplatonic school (third century onwards), the demiurge is the fashioner of the real, perceptible world after the model of the Ideas, but (in most Neoplatonic systems) is still not itself "the One".

Within the vast spectrum of Gnostic traditions views of the Demiurge range dramatically. It is generally understood and agreed upon to be a lesser divinity who governs the material universe. However the nature of its rule over the material realm differs from sect to sect. Sethian Gnosticism portrays the Demiurge as an oppressive, ignorant ruler, intentionally binding souls in an inherently corrupt material realm. In contrast, Valentinian Gnosticism sees the Demiurge as a well-meaning but limited figure whose rule reflects ignorance rather than malice.