Descant

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Descant" – news · newspapers · books · scholar · JSTOR (January 2009) (Learn how and when to remove this message)

A descant, discant, or discantus is any of several different things in music, depending on the period in question; etymologically, the word means a voice (cantus) above or removed from others. The Harvard Dictionary of Music states:

Anglicized form of L. discantus and a variant of discant. Throughout the Middle Ages the term was used indiscriminately with other terms, such as descant. In the 17th century it took on special connotations in instrumental practice.^[1]

A descant is a form of medieval music in which one singer sang a fixed melody, and others accompanied with improvisations. The word in this sense comes from the term discantus supra librum (descant "above the book"), and is a form of Gregorian chant in which only the melody is notated but an improvised polyphony is understood. The discantus supra librum had specific rules governing the improvisation of the additional voices.

Later on, the term came to mean the treble or soprano singer in any group of voices, or the higher pitched line in a song. Eventually, by the Renaissance, descant referred generally to counterpoint. Nowadays the counterpoint meaning is the most common.

Descant can also refer to the highest pitched of a group of instruments, particularly the descant viol or recorder. Similarly, it can also be applied to the soprano clef.

In modern usage, especially in the context of church music, descant can also refer to a high, florid melody sung by a few sopranos as a decoration for a hymn.