Dom Casmurro

Dom Casmurro
Title page of the first edition of Dom Casmurro, 1900.
AuthorMachado de Assis
LanguagePortuguese
GenrePsychological realism, impressionism
Published1899 (1st Brazilian edition), Livraria Garnier, Rio de Janeiro
Publication placeBrazil

Dom Casmurro is an 1899 novel written by Brazilian author Joaquim Maria Machado de Assis. Like The Posthumous Memoirs of Brás Cubas and Quincas Borba, both by Machado de Assis, it is widely regarded as a masterpiece of realist literature. It is written as a fictional memoir by a distrusting, jealous husband. The narrator, however, is not a reliable conveyor of the story as it is a dark comedy. Dom Casmurro is considered by critic Afrânio Coutinho "a true Brazilian masterpiece, and perhaps Brazil's greatest representative piece of writing" and "one of the best books ever written in the Portuguese language, if not the best one to date." The author is considered a master of Brazilian literature with a unique style of realism.[1]

Its protagonist is Bento Santiago, the narrator of the story which, told in the first person, aims to "tie together the two ends of life",[2]: 7  in other words, to bring together stories from his youth to the days when he is writing the book. Between these two moments, Bento writes about his youthful reminiscences, his life at the seminary, his affair with Capitu and the jealousy that arises from this relationship, which becomes the main plot of the story.[3] Set in Rio de Janeiro during the Second Reign, the novel begins with a recent episode in which the narrator is nicknamed "Dom Casmurro", hence the title of the novel. Machado de Assis wrote it using literary devices such as irony and intertextuality, making references to Schopenhauer and, above all, to Shakespeare's Othello. Over the years, Dom Casmurro been the subject of numerous studies, adaptations to other media and interpretations throughout the world, from psychological and psychoanalytical in literary criticism in the 1930s and 1940s, through feminist literary criticism in the 1970s, to sociological in the 1980s and beyond, with its themes of jealousy, Capitu's ambiguity, the moral portrait of the time and the character of the narrator. Credited as a forerunner of Modernism[3] and of ideas later written by the father of psychoanalysis Sigmund Freud,[4]: 144  the book influenced writers such as John Barth, Graciliano Ramos and Dalton Trevisan, and is considered by some to be Machado's masterpiece, on a par with The Posthumous Memoirs of Brás Cubas.[5]: 6  Dom Casmurro has been translated into several languages and remains one of his most famous books and is considered one of the most fundamental works in all of Brazilian literature.[6]: 7 

  1. ^ Jackson, K. David (22 February 1998). "Madness in a Tropical Manner". The New York Times. Archived from the original on 6 October 2018. Retrieved 5 January 2014.
  2. ^ de Assis, Machado (1953). Dom Casmurro. Translated by Caldwell, Helen. London: W. H. Allen.
  3. ^ a b Guilhermino, Almir (2008). Dom Casmurro: A Encenação De Um Julgamento Na Adaptação Cinematográfica De Moacyr Góes E De Paulo César Saraceni [Dom Casmurro: The Staging Of A Trial In The Film Adaptation By Moacyr Góes And Paulo César Saraceni] (in Brazilian Portuguese). Edufal. pp. 21, 22, 25–28. ISBN 978-85-7177-427-8.
  4. ^ Andrade, Fernando Teixeira de (2001). "Dom Casmurro". Os Livros da FUVEST (in Brazilian Portuguese). 1. São Paulo: Sol.
  5. ^ Petronio, Rodrigo; Alvarenga, Luis Fernando Ribeiro (2008). "Foreword". Dom Casmurro (in Brazilian Portuguese). Editora Escala Educacional. ISBN 978-85-377-0632-9.
  6. ^ Saraiva, Juracy Assmann (2005). Nos labirintos de Dom Casmurro: ensaios críticos [In the labyrinths of Dom Casmurro: critical essays]. Coleção Literatura brasileira (in Brazilian Portuguese). Porto Alegre: EDIPUCRS. ISBN 978-85-7430-524-0.