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| Submission declined on 10 October 2024 by Netherzone (talk). This submission appears to read more like an advertisement than an entry in an encyclopedia. Encyclopedia articles need to be written from a neutral point of view, and should refer to a range of independent, reliable, published sources, not just to materials produced by the creator of the subject being discussed. This is important so that the article can meet Wikipedia's verifiability policy and the notability of the subject can be established. If you still feel that this subject is worthy of inclusion in Wikipedia, please rewrite your submission to comply with these policies.
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This draft has been resubmitted and is currently awaiting re-review. |  |
Comment: Draft is improperly sourced and written in a highly promotional tone rather than an encyclopedic tone, for example: "critical acclaim, dynamic, globally, highlights, influential, innovative, pioneering, prominent, significant" Netherzone (talk) 18:26, 10 October 2024 (UTC)
- Comment: The creator of this draft, Conrad.Teller, also uploaded image files that appear within it. For c:File:Giovanni Pizzo, Sign Gestalt, 1964.jpg, he explains: I represent the company that holds the copyright to the materials related to Giovanni Pizzo. We maintain a close relationship with his family and have received their permission to share images of his work. Our intention is to promote awareness of Pizzo's life and contributions to the art world, especially as he is gaining recognition globally. Hoary (talk) 01:12, 9 October 2024 (UTC)
 | A major contributor to this article appears to have a close connection with its subject. (October 2024) |
Giovanni Pizzo (1938, Veroli – 2022, Rome) was an Italian artist and one of the representatives of the arte programmata movement. His work intersected with scientific methodologies, emphasizing logical-mathematical processes and visual perception.[1]
Giovanni Pizzo | |
|---|---|
 | |
| Born | 1938 Veroli |
| Died | 2022 Rome |
| Movement | Arte programmata |
| Spouse | Lucia di Luciano |
For Pizzo, art was a form of research conducted through systematic, programmed processes, which he initially developed in notebooks before transferring them to canvas.[2] Today, his approach to merging art, science, and technology is referenced in discussions about the history of computers and digital art.[3][4]
Together with Lucia di Luciano, Pizzo participated in the Nove Tendencije 3 exhibition in 1965, in Zagreb, Croatia. He participated in VIII Quadriennale d’Arte di Roma (1960), Esposizione Universale di Montreal (1968), VI Biennale Romana (1968), Biennale Internazionale di Barcellona (1992), etc.[5]
- ^ Cite error: The named reference
:2was invoked but never defined (see the help page). - ^ Margozzi, Mariastella (2007). "Lucia Di Luciano e Giovanni Pizzo, dall'arte programmata alle combinatorie.". Lucia Di Luciano / Giovanni Pizzo – Combinatorie. Arte programmata anni '60. Palombi Editori. p. 11. ISBN 978-88-6060-080-6.
- ^ Cite error: The named reference
:1was invoked but never defined (see the help page). - ^ Rosen, Margit (2011). A Little-Known Story About a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961–1973. The MIT Press. pp. 174–176. ISBN 9780262515818.
- ^ "Giovanni Pizzo - exhibitiona". Artfacts. Retrieved 11 October 2024.