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The Portraits of Wolfgang Amadeus Mozart are various paintings in which the Classical composer Wolfgang Amadeus Mozart is portrayed. The posthumous painting by Barbara Krafft in 1819 is the best known of all, but several others also exist. According to Robert Bory, sixty-two portraits of Mozart and pictorial representations of all kinds exist, despite the fact that much of them show little fidelity to the model.
Arthur Hutchings expressed his point of view about the contradiction offered by the opposition between the enormous amount of artworks that represent the genius and the scarce iconographic value of them with the sentence: "Too many images". For his part, Alfred Einstein, also a Mozart specialist, expressed his opinion about these portraits in the following statement:[1]
We have nothing to give us an idea of Mozart's physical appearance, except for a few mediocre canvases that do not even resemble each other.