Earnest Andersson | |
---|---|
Born | Ernest DeNeen Anderson February 10, 1878 Burr Oak, Iowa, US |
Died | June 23, 1943 | (aged 65)
Resting place | Lakewood Cemetery, Minneapolis, Minnesota, US |
Occupations |
|
Years active | 1895–1943 |
Spouses | |
Partner | Dona Drake c. early 1940s |
Children | 2 |
Relatives | James Sample (son-in-law) |
Earnest Andersson[a] (born Ernest DeNeen Anderson; February 10, 1878 – June 23, 1943) was an American polymath born to a Swedish immigrant father in Iowa. Childhood illness prevented him from attaining formal schooling beyond the fifth grade. Andersson, a highly precocious child, nevertheless became skilled as a composer, inventor, and painter through a combination of home schooling and auto-didacticism.
After dithering over which field to pursue, he chose to become an inventor and moved to New York City to find work. Andersson soon became financially successful; by the end of the 1920s, the patents he was granted for various packaging machines he invented had made him a millionaire. He also became an accomplished amateur athlete, race car driver, pilot, photographer, and radio operator. His wealth connected him to influential artists, including those that he met at the Hotel des Artistes, which he had devised and where he also kept a residence. Although he was affected by the consequences of the Wall Street Crash of 1929, financial decisions he had made allowed him to bear the period without excessive detriment. After a brief residence in Florida, where he became a professional golfer, he settled in Hollywood, California, where he gained attention for the quality of his amateur photography of local film stars.
Throughout his life, Andersson maintained his interest in music. After he moved to California, he rededicated himself to composition, and hired various teachers to help improve his skills. The last of these was Igor Stravinsky, with whom he studied regularly from 1941 to 1943. Stravinsky and his wife, Vera, were grateful to Andersson for the income he provided. In turn, Andersson took on roles in their household as handyman, secretary, and friend.
He died in Santa Monica, California, in 1943. Most of his personal effects, including musical manuscripts, were destroyed in a fire after his death. In the early 21st century, some of his belongings, including his notebook detailing his lessons with Stravinsky, were discovered in the possession of a private collector.
Although critical reception of Andersson's music was mostly positive during his lifetime, posthumous appraisals—including by Stravinsky, who had formerly been a supporter—have been negative. James Sample, who said Stravinsky's later statements were borne from envy for his student's facility, considered Andersson a superior composer to Charles Ives.
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