Ellen Carey (born 1952) is an American artist known for conceptual photography exploring non-traditional approaches involving process, exposure, and paper.[1][2][3] Her work has ranged from painted and multiple-exposure, Polaroid 20 x 24, Neo-Geo self-portraits beginning in the late 1970s to cameraless, abstract photograms and minimal Polaroid images from the 1990s onward, which critics often compare to color-field painting.[4][5][6] Carey's sixty one-person exhibitions have been presented at museums, such as the Amon Carter Museum of American Art,[7]International Center of Photography (ICP)[4] and Wadsworth Atheneum Museum of Art,[8] alternative spaces such as Hallwalls[9] and Real Art Ways,[10] and many commercial galleries.[11] Her work is in numerous museum collections, including those of the Metropolitan Museum of Art,[12] Whitney Museum of American Art,[13] Los Angeles County Museum of Art,[14]Centre Pompidou,[15] and Smithsonian American Art Museum.[16] In 2019, she was named one of the Royal Photographic Society (London) "Hundred Heroines", recognizing leading women photographers worldwide.[17][18][11]Los Angeles Times critic Leah Ollman describes her photography as "inventive, physically involving, process-oriented work" and her recent photograms as "performative sculptures enacted in the gestational space of the darkroom" whose pure hues, shadows and color shifts deliver "optical buzz and conceptual bang".[1]New York Times critic William Zimmer wrote that her work "aspires to be nothing less than a reinvention, or at least a reconsideration, of the roots or the essence of photography."[2] In addition to her art career, Carey has also been a longtime educator at the Hartford Art School and a writer and researcher on the history of photography.[19][20][21]
^Fleischer, Donna. "The Black Swans of Ellen Carey: Of Necessary Poetic Realities," Let There Be Light: The Black Swans of Ellen Carey, Willimantic, CT: Eastern Connecticut State University Akus Gallery, 2014.
^ abWestfall, Stephen. "Ellen Carey at ICP and Simon Cerigo," Art in America, November 1987, p. 181.
^Rexer, Lyle. "Ellen Carey at Real Art Ways," Art in America, June 2001.
^ abAkus Gallery, Eastern Connecticut State University. "Biography," Let There Be Light: The Black Swans of Ellen Carey, Willimantic, CT: Eastern Connecticut State University Akus Gallery, 2014.