Ern Malley hoax

The Ern Malley edition of Angry Penguins. Featured on the cover is a Sidney Nolan painting inspired by lines from Ern Malley's poem Petit Testament, which are printed on the cover, bottom right: "I said to my love (who is living) / Dear we shall never be that verb / Perched on the sole Arabian Tree / (Here the peacock blinks the eyes of his multipennate tail)". The painting is now held at the Heide Museum of Modern Art.[1]

The Ern Malley hoax, also called the Ern Malley affair, is Australia's most famous literary hoax.[2][3][4] Its name derives from Ernest Lalor "Ern" Malley, a fictitious poet whose biography and body of work were created in one day in 1943 by conservative writers James McAuley and Harold Stewart in order to hoax the Angry Penguins, a modernist art and literary movement centred around a journal of the same name, co-edited by poet Max Harris and art patron John Reed, of Heide, Melbourne.

Imitating the modernist poetry they despised, the hoaxers deliberately created what they thought was bad verse and mailed sixteen poems to Harris under the guise of Ethel, Ern Malley's surviving sister. Harris and other members of the Heide Circle fell for the hoax, and, enraptured by the poetry, devoted the next issue of Angry Penguins to Malley, hailing him as a genius. The hoax was revealed soon after, resulting in a cause célèbre and the humiliation of Harris, who was put on trial, convicted and fined for publishing the poems on the grounds that they contained obscene content. Angry Penguins folded in 1946.

In the decades that followed, the hoax proved to be a significant setback for modernist poetry in Australia. Since the 1970s, however, the Ern Malley poems, though known to be a hoax, became celebrated as a successful example of surrealist poetry in their own right, lauded by poets and critics such as John Ashbery, Kenneth Koch and Robert Hughes. The poems of Ern Malley are now more widely read than those of his creators, and the affair has inspired works by major Australian writers and artists, such as Peter Carey and Sidney Nolan. American poet and anthologist David Lehman called Ern Malley "the greatest literary hoax of the twentieth century".[2]

  1. ^ Pearce, Barry. Sidney Nolan. Sydney: Art Gallery of New South Wales, 2007. ISBN 1-74174-013-4, pp. 96–97
  2. ^ a b Cite error: The named reference lehman was invoked but never defined (see the help page).
  3. ^ "Throwing new light on the great Ern Malley hoax", Sydney Writers' Festival, 14 May 2012, University of Sydney
  4. ^ "Ern Malley literary hoax", 80 Days that Changed Our Life, 27 October 2011, ABC Archives