Fernando Botero Angulo (19 April 1932 – 15 September 2023)[3] was a Colombian figurative artist and sculptor.[4] His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece. He was considered the most recognized and quoted artist from Latin America in his lifetime,[5][6][7] and his art can be found in highly visible places around the world, such as Park Avenue in New York City and the Champs-Élysées in Paris, at different times.[8]
Self-styled "the most Colombian of Colombian artists",[9] Botero came to national prominence when he won the first prize at the Salón de Artistas Colombianos in 1958. He began creating sculptures after moving to Paris in 1973, achieving international recognition with exhibitions around the world by the 1990s.[10][11] His art is collected by many major international museums, corporations, and private collectors, sometimes selling for millions of dollars.[12] In 2012, he received the International Sculpture Center's Lifetime Achievement in Contemporary Sculpture Award.[13]
^Botero, Fernando, and Cynthia Jaffee McCabe. 1979. Fernando Botero: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Washington: Smithsonian Institution Press. p. 20. OCLC 5680128
^País, El (2023-09-15). "La triste historia de Pedrito, el hijo del artista Fernando Botero y de su segunda esposa, la caleña Cecilia Zambrano". Noticias de Cali, Valle y Colombia - Periodico: Diario El País (in Spanish). Retrieved 2024-02-23.
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