| Gothic rock | |
|---|---|
| Other names |
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| Stylistic origins | |
| Cultural origins | Late 1970s, England |
| Derivative forms | |
| Subgenres | |
| Deathrock | |
| Fusion genres | |
| Local scenes | |
| Leeds, England[1] | |
| Other topics | |
| Goth subculture | |
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees,[2][3] Joy Division,[2][3][4] Bauhaus,[2][3] and the Cure.[2][3]
The genre itself was defined as a separate movement from post-punk. Gothic rock stood out due to its darker sound, with the use of primarily minor or bass chords, reverb, dark arrangements, or dramatic and melancholic melodies, having inspirations in gothic literature allied with themes such as sadness, nihilism, dark romanticism, tragedy, melancholy and morbidity. These themes are often approached poetically. The sensibilities of the genre led the lyrics to represent the evil of the century and the romantic idealization of death and the supernatural imagination. Gothic rock then gave rise to a broader goth subculture that included clubs, fashion and publications in the 1980s, 1990s, and into the 21st century.
Curtis' death wrapped an already mysterious group in legend. From the press eulogies, you would think Curtis had gone to join Chatterton, Rimbaud and Morrison in the hallowed hall of premature harvests. To a group with several strong gothic characteristics was added a further piece of romance. The rock press had lost its great white hope, but they had lost a friend. It must have made bitter reading.