H.D. | |
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 A portrait of H.D. by Man Ray, c. 1917 | |
| Born | Hilda Doolittle September 10, 1886 Bethlehem, Pennsylvania, U.S. |
| Died | September 27, 1961 (aged 75) Zürich, Switzerland |
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| Alma mater | Bryn Mawr College |
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Hilda Doolittle (September 10, 1886 – September 27, 1961) was an American modernist poet, novelist, and memoirist who wrote under the name H.D. throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde Imagist group of poets with American expatriate poet and critic Ezra Pound. During this early period, her minimalist free verse poems depicting Classical motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and verse drama. Reflecting the trauma she experienced in London during the Blitz, H.D.'s poetic style from World War II until her death pivoted towards complex long poems on esoteric and pacifist themes.
H.D. was born in Bethlehem, Pennsylvania, to wealthy and educated parents who relocated to Upper Darby in 1896. Discovering her bisexuality, she had her first same-sex relationship while attending Bryn Mawr College between 1904 and 1906. After years of friendship, H.D. became engaged to Pound and followed him to London in 1911, where he championed her work. Their relationship soon fell apart, however, and H.D. instead married the Imagist poet Richard Aldington in 1913. In 1918, she met the novelist Bryher, who became her romantic partner and close friend until her death. An associate literary editor of the Egoist journal between 1916 and 1917, H.D. was published by The English Review and The Transatlantic Review. During World War I, both her brother and father died, and she separated from Aldington. She was treated by Sigmund Freud during the 1930s, as she sought to address and understand both her war trauma and bisexuality.[1]
H.D. was keenly interested in Ancient Greek literature[2] and published numerous Greek translations. Her poems routinely drew from Greek mythology and classical poets, from her earliest Imagist lyrics which depicted natural landscapes using Hellenistic motifs, to her 1950s long poem Helen in Egypt which reinterpreted the myth of the Trojan War. Raised Moravian by her family, and first introduced to occult and esoteric religious ideas by Pound in her youth, H.D. gradually developed a unique syncretic spiritual worldview. H.D.'s spiritual devotion intensified during and after World War II, and her syncretic ideas became the central focus of her later writing.
While H.D. wrote in a wide range of genres and modes over her career, during her lifetime she was known almost exclusively for her early Imagist poems.[2] Following a reappraisal by feminist critics in the 1970s and 1980s, the significance of her late long poems and prose works was increasingly recognized, and she has come to be understood as a central figure in the history of modernist literature.
- ^ Davies 1997, p. 39.
- ^ a b Paschen, Elise; Mosby, Rebekah Presson; Raccah, Dominique; Pinsky, Robert; Dove, Rita; Gioia, Dana, eds. (2001). Poetry Speaks: Hear Great Poets Read Their Work from Tennyson to Plath. Naperville, Illinois: Sourcebooks MediaFusion. p. 82. ISBN 978-1-57071-720-8.