Habib Tanvir | |
---|---|
Born | Habib Ahmed Khan 1 September 1923 |
Died | 8 June 2009 | (aged 85)
Occupation(s) | Playwright, dramatist, poet, actor |
Years active | 1945–2009 |
Spouse | Moneeka Misra (2001-2005) |
Children |
|
Honours | Padma Shri (1983) Padma Bhushan (2002) |
Part of a series on |
Progressive Writers' Movement |
---|
Habib Tanvir (1 September 1923 – 8 June 2009[2]) was one of the most popular Indian Urdu playwrights, a theatre director, poet and actor.[2] He was the writer of plays such as, Agra Bazar (1954) and Charandas Chor (1975). A pioneer in Urdu and Hindi theatre, he was most known for his work with Chhattisgarhi tribals, at the Naya Theatre, a theatre company he founded in 1959 in Bhopal. He went on to include indigenous performance forms such as nacha, to create not only a new theatrical language, but also milestones such as Charandas Chor, Gaon ka Naam Sasural, Mor Naam Damad and Kamdeo ka Apna Basant Ritu ka Sapna.[3][4][5]
For him, true "theatre of the people" existed in the villages, which he strived to bring to the urban "educated", employing folk performers as actors alongside urban actors.[6] He died on 8 June 2009 at Bhopal after a three-week illness.[7][8] Upon his death, he was the last of pioneering actor-managers in Indian theatre, which included Sisir Bhaduri, Utpal Dutt and Prithviraj Kapoor,[9] and often he managed plays with a mammoth cast, such as Charandas Chor (Charandas the thief), which included an orchestra of 72 people on stage and Agra Bazaar, with 52 people.[10]
During his lifetime he won several national and international awards, including the Sangeet Natak Akademi Award in 1969, Jawarharlal Nehru Fellowship in 1979, Padma Shri[2] in 1983, Kalidas Samman 1990, Sangeet Natak Akademi Fellowship in 1996, and the Padma Bhushan in 2002.[11] He had also been nominated to become a member of the Upper House of Indian Parliament, the Rajya Sabha (1972–1978). His play Charandas Chor won him the Fringe Firsts Award at Edinburgh International Drama Festival in 1982,[12] and in 2007, it was included in the Hindustan Times' list of 'India's 60 Best works since Independence which said : "an innovative dramaturgy equally impelled by Brecht and folk idioms, Habib Tanvir seduces across language barriers in this his all-time biggest hit about a Robin Hood-style thief."[13]
:0
was invoked but never defined (see the help page).