Henry Bond | |
|---|---|
 Bond in 2010 | |
| Born | June 13, 1966 London, England |
| Education | Goldsmiths, University of London |
| Known for | Photography |
| Notable work | Documents Series 26 October 1993 |
| Movement | Young British Artists Relational Aesthetics |
Henry Bond, FHEA (born 13 June 1966)[1] is an English writer, photographer, and visual artist. In his Lacan at the Scene (2009), Bond made contributions to theoretical psychoanalysis and forensics.
In 1990, with Sarah Lucas, Bond organised the art exhibition East Country Yard Show, which was influential in the formation and development of the Young British Artists movement; together with Damien Hirst, Angela Bulloch, and Liam Gillick, the two were "the earliest of the YBAs."[2]
Bond's visual art tends to appropriation and pastiche; he has exhibited work made collaboratively with YBA artists including a photograph made with Sam Taylor-Wood and the Documents Series, made with Liam Gillick. In the 1990s, Bond was a photojournalist working for British fashion, music, and youth culture magazine The Face. In 1998, his photobook of street fashions in London The Cult of the Street was published. His Point and Shoot (Cantz, 2000), explored the photo-genres of surveillance, voyeurism and paparazzi photojournalism.
In 2007, Bond completed his doctoral research; in 2009, he was appointed Senior Lecturer in Photography at Kingston University.
- ^ "Henry Bond born 1966". Tate. Retrieved 25 April 2023.
- ^ Archer, Michael, "Overlapping Figures. " In How To Improve the World: 60 Years of British Art, London: Hayward Gallery, 2006, p. 50, i.e., "Then later still there is the generation of Damien Hirst, Sarah Lucas, Angela Bulloch, Henry Bond and Liam Gillick, the earliest of the yBas (young British artists)."