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Some 20th-century studies of oral poetry and traditional literature postulate Heroic Ages as stages in the development of human societies likely to give rise to legends about heroic deeds. According to some theorists, oral epic poetry would originate during an Heroic Age, and would be transmitted, by singers who displayed less creativity, through later periods. Scholars who adopted Heroic Age theories include:
A widely-shared view was that each society would pass through a Heroic Age only once. This apparently explains why, in the Chadwicks' survey of world-wide oral and traditional poetry, The Growth of Literature (published 1932–1940),[1] medieval European epics such as the French Chansons de geste and the Spanish Cantar de Mio Cid are omitted: those societies are taken to have passed through a Heroic Age earlier.
Bryan Hainsworth has suggested that in the various so-called Heroic Ages named by modern scholars "what is described is a by-product ... of the tendency of heroic poetry to congeal into cycles, often ... around a signal event".[2]
Conventionally, Heroic Ages may feature martial[3] aristocratic[4] and monarchical[5] societies, with values focused on honor, reputation, bravery,[6] generosity and friendship.
[...] Heroic Ages have been so named by modern scholars, but what is described is a by-product, as it was in Greece, of the tendency of heroic poetry to congeal into cycles, often (but not always) around a signal event. Perceived as a supreme effort of the greatest heroes, the event ensures that later generations cannot be equal to their predecessors and thus imposes a definite lower boundary to 'heroic time'.
The Homeric poems and their ideals rest on the idea of a heroic age. [...] Martial virtues are prominent, especially in the Iliad, and what is central in the heroic view is the concept of honor, reputation won by individual and noble achievements.
The idea found in Ker, the Chadwicks, Bowra, and others, that a 'heroic age' is an essentially 'magnificent and aristocratic' feudal stage through which a society may pass (and then recall), is seriously tested by certain features of such ages in different societies.
[...] it is not until the days of Philip II, king of the Macedonians, that we find any single man holding an authority over the Greek world such as the poems attribute to Agamemnon.
But this general idea of giving the king's daughter in marriage to the prince most skilful in arms [...] may have started with a political aim, for such a prince would always be a powerful ally of the father-in-law, especially so in the Heroic Age when personal valour counted for so much.