Hokusai

Hokusai
北斎
Self-portrait as an old man
Born
Tokitarō
時太郎

supposedly (1760-10-31)31 October 1760
Died10 May 1849(1849-05-10) (aged 88)
Edo, Japan
Known forUkiyo-e painting, manga and woodblock printing
Notable workThe Great Wave off Kanagawa
Fine Wind, Clear Morning

Katsushika Hokusai (葛飾 北斎, c. 31 October 1760 – 10 May 1849), known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker.[1] His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.

Hokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji.[2] It was this series, specifically, The Great Wave off Kanagawa and Fine Wind, Clear Morning, that secured his fame both in Japan and overseas.[3]

Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style until his death, aged 88. In a long and successful career, Hokusai produced over 30,000 paintings, sketches, woodblock prints, and images for picture books in total. Innovative in his compositions and exceptional in his drawing technique, Hokusai is considered one of the greatest masters in the history of art.

  1. ^ Nussbaum, Louis Frédéric. (2005). "Hokusai" in Japan Encyclopedia, p. 345.
  2. ^ Cite error: The named reference smith was invoked but never defined (see the help page).
  3. ^ Kleiner, Fred S. and Christin J. Mamiya, (2009). Gardner's Art Through the Ages: Non-Western Perspectives, p. 115.