Iron Sky: The Coming Race | |
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Directed by | Timo Vuorensola[1] |
Screenplay by | Dalan Musson[1] |
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Cinematography | Mika Orasmaa[1] |
Edited by | Joona Louhivuori |
Music by | Laibach |
Production company | Iron Sky Universe 120dB Film Finance |
Distributed by | 101 Films[2] Scoundrel Media |
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Running time | 93 minutes[2] |
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Budget | €17 million[3] (US$10–25 million[2]) |
Box office | $400,000 (excluding Finland)[4] |
Iron Sky: The Coming Race is a 2019 Finnish-German comic science fiction action film directed by Timo Vuorensola. The sequel to Vuorensola's 2012 film Iron Sky, its production was crowdfunded through Indiegogo. Like its predecessor, the film mixes political themes with repeated allusions to the popular culture and various conspiracy theories, but is generally more action-adventure oriented. A major inspiration of the content (and title) is the Vril conspiracy theory.
The plot follows a group of nuclear holocaust survivors living in an abandoned Nazi base on the far side of the Moon. Boarding a barely-functioning spacecraft, they travel to the nucleus of the hollow Earth in an attempt to recover the Holy Grail from a group of reptilian shape-shifters who are led by Tyrannosaurus-riding Adolf Hitler.
Produced on a budget of 17 million euros, The Coming Race is the most expensive Finnish live-action picture ever made. The production suffered from repeated delays and a two-part copyright dispute, with a Finnish court denying that copyright even existed in the subject matter of the case apart from one 3D model, the Japanese Ship. The second half of the case was a counterclaim by the production companies to sue the original Iron Sky 3D artists for continued use of their work. The court ruled that the production companies had not shown any evidence of copyright ownership themselves and dismissed the counterclaim.[5]
The Coming Race was released on 16 January 2019 in Finland, but performed very poorly in the box office. Most reviews were negative, citing problems such as unidimensional characters, low-quality CGI, dated jokes, and confused script. The self-conscious ludicrousness of the storyline divided critics, with some finding it amusing while others criticized it as disorienting and unfunny. Lara Rossi's and Udo Kier's performances were praised by some reviewers.
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