Jack Kerouac | |
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Born | Jean-Louis Kérouac March 12, 1922 Lowell, Massachusetts, U.S. |
Died | October 21, 1969 St. Petersburg, Florida, U.S. | (aged 47)
Occupation |
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Alma mater | Columbia University |
Period | 1942–1969 |
Literary movement | |
Notable works | On the Road The Dharma Bums Big Sur Desolation Angels |
Spouse | |
Children | Jan Kerouac |
Signature | |
Jean-Louis Lebris de Kérouac[1] (/ˈkɛru.æk/;[2] March 12, 1922 – October 21, 1969), known as Jack Kerouac, was an American novelist and poet[3] who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.[4]
Of French-Canadian ancestry,[5][6] Kerouac was raised in a French-speaking home in Lowell, Massachusetts. He "learned English at age six and spoke with a marked accent into his late teens."[7] During World War II, he served in the United States Merchant Marine; he completed his first novel at the time, which was published more than 40 years after his death. His first published book was The Town and the City (1950), and he achieved widespread fame and notoriety with his second, On the Road, in 1957. It made him a beat icon, and he went on to publish 12 more novels and numerous poetry volumes.
Kerouac is recognized for his style of stream of consciousness spontaneous prose. Thematically, his work covers topics such as his Catholic spirituality, jazz, travel, promiscuity, life in New York City, Buddhism, drugs, and poverty. He became an underground celebrity and, with other Beats, a progenitor of the hippie movement, although he remained antagonistic toward some of its politically radical elements.[8] He has a lasting legacy, greatly influencing many of the cultural icons of the 1960s, including Bob Dylan, the Beatles, Jerry Garcia and the Doors.
In 1969, at the age of 47, Kerouac died from an abdominal hemorrhage caused by a lifetime of heavy drinking. Since then, his literary prestige has grown, and several previously unseen works have been published.
Kerouac appeared to have done an about-face, becoming extraordinarily reactionary and staunchly anticommunist, vocalizing his intense hatred of the 1960s counterculture ...; id. at p. 29 ("Kerouac realized where his basic allegiance lay and vehemently disassociated himself from hippies and revolutionaries and deemed them unpatriotic subversives."); id. at p. 30 ("Kerouac['s] ... attempt to play down any perceived responsibility on his part for the hippie generation, whose dangerous activism he found repellent and "delinquent."); id. at p. 111 ("Kerouac saw the hippies as mindless, communistic, rude, unpatriotic and soulless."); Maher, Paul; Amram, David (2007), Kerouac: His Life and Work, Taylor Trade Publications, p. 469, ISBN 9781589793668,
In the current political climate, Kerouac wrote, he had nowhere to turn, as he liked neither the hippies ... nor the upper-echelon ...