Jacob do Bandolim | |
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| Background information | |
| Birth name | Jacob Pick Bittencourt |
| Born | February 14, 1918 |
| Origin | Rio de Janeiro, Brazil |
| Died | August 13, 1969 (aged 51) |
| Genres | Choro |
| Occupation(s) | Composer, instrumentalist |
| Instrument | Mandolin |
| Website | www |
Jacob do Bandolim (born Jacob Pick Bittencourt; February 14, 1918[1] – August 13, 1969[1]) was a Brazilian composer and musician. Born to a Brazilian-Jewish mother and a gentile father in Rio de Janeiro,[1] his stage name means "Mandolin Jacob", after the instrument he played.
A perfectionist, Jacob was able to achieve from his band Época de Ouro the highest levels of quality. Jacob hated the stereotype of the "dishevelled, drunk folk musician" and required commitment and impeccable dress from his musicians who, like himself, all held "day jobs." Jacob worked as a pharmacist, insurance salesman, street vendor, and finally notary public, to support himself while also working "full time" as a musician.
In addition to his virtuoso playing, he is famous for his many choro compositions, more than 103 tunes,[2] which range from the lyrical melodies of "Noites Cariocas" ("Carioca Nights"), Receita de Samba and "Dôce de Coco" to the aggressively jazzy "Assanhado", which is reminiscent of bebop. He also researched and attempted to preserve the older choro tradition, as well as that of other Brazilian music styles.
- ^ a b c Johnson, Dexter; Grisman, Pamela (1991). "About Jacob". Mandolin Master of Brazil: Original Classic Recordings, Vol. I (CD liner). Jacob do Bandolim. San Rafael, California: Acoustic Disc.
- ^ Choro: a social history of a Brazilian popular music. Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia. Indiana University Press, 2005, pp. 122