Taken from life | |
---|---|
Bengali | জীবন থেকে নেয়া |
Directed by | Zahir Raihan |
Written by |
|
Produced by | Zahir Raihan |
Starring | |
Cinematography | Afzal Chowdhury |
Edited by | Maloy Banerjee |
Music by | Khan Ataur Rahman Altaf Mahmud |
Distributed by | Anees Films Corporation |
Release date |
|
Running time | 133 minutes[1] |
Country | Pakistan |
Language | Bengali |
Jibon Theke Neya (lit. 'Taken from Life') is a critically acclaimed Bengali-language East-Pakistani film directed by Zahir Raihan. Released in 1970, it has been described as an example of "national cinema", using discrete local traditions to build a representation of the Bangladeshi national identity[2][3]
Set against the backdrop of the political and social upreveal in East Pakistan (present-day Bangladesh) during the late 1960s, Jibon Theke Neya portrays the struggles and aspirations of the common people in the face of oppression and injustice.[4] The film addresses themes such as poverty, political corruption, political exploitation, and the power of unity.[5]
Jibon Theke Neya garnered widespread acclaim for its powerful storytelling, poignant performances, and the director's exceptional execution. It played a pivotal role in shaping the trajectory of Bangladeshi cinema and became a landmark film in the country's history. Moreover, the movie holds historical significance as it was released just months before the Bangladesh Liberation War in 1971, which ultimately led to the independence of Bangladesh from Pakistan. It remains a cultural touchstone, serving as a reminder of the importance of social justice and the enduring spirit of the Bangladeshi people. The film's legacy endures, and it continues to inspire filmmakers and audiences alike, cementing its place as a timeless classic in Bangladeshi cinema.[6] According to The Daily Star, the film is considered to be Zahir Raihan's finest work till date.[7]
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