Joan Moment (born 1938) is an American painter based in Northern California.[1][2][3] She emerged from the 1960s Northern California Funk art movement[4][5] and gained attention when the Whitney Museum of American Art Curator Marcia Tucker selected her for the 1973 Biennial and for a solo exhibition at the Whitney in 1974.[6][7] Moment is known for process-oriented paintings that employ non-traditional materials and techniques evoking vital energies (biological, sexual, cosmic) conveyed through archetypal iconography.[8][9][10] Though briefly aligned with Funk—which was often defined by ribald humor and irreverence toward art-world pretensions—her work diverged by the mid-1970s, fusing abstraction and figuration in paintings that writers compared to prehistoric and tribal art.[11][12][5][7] Critic Victoria Dalkey wrote that Moment's methods combined chance and improvisation to address "forces embodied in a universe too large for us to comprehend, as well as the ... fragility and transience of the material world."[13]
^Porges, Maria. "Joan Moment: Bluer Than Blue," Numinous: The Paintings of Joan Moment, Sacramento, CA: JayJay Gallery, 2013.
^Linhares, Phil. "Interview: Joan Moment," Currant, February–March 1976.
^Roth, David M. "Sacramento Rising: California's Capitol, A Longtime Artistic Hub Has Finally Come Into Its Own," Art Ltd., September/October 2008, p. S10.
^Dalkey, Victoria. "Once and Future Light: Patterns and Connections in 'Aerial Luminations,'" Sacramento Bee, May 21, 2006.
^Linhares, Phil. From the Studio: Recent Paintings and Sculpture, 20 California Artists, Oakland, CA: Oakland Museum, 1992.
^Clisby Roger D. Joan Moment, Sacramento, CA: Crocker Art Museum, 1981.
^Muchnic, Suzanne. "Drawing By California Painters," Los Angeles Times, February 16, 1982.
^VanAirsdale, S.T. "The Art of the Matter,"Sactown Magazine, June/July 2015, p. 77–87. Retrieved November 18, 2021.
^Wetterstrom, Sydney. "Joan Moment," Selected Works from the Sacramento State Art Collection, Sacramento, CA: California State University, Sacramento, 2017, p. 15–6.