John Wall (born 1950) is an English autodidact electronic composer, whose contribution to the field is widely noted by critics of new music.[1] His work has moved from early plunderphonic compositions – where he brought together unlikely combinations of musical genres to create fantastical new works – to large scale works composed of thousands of tiny fragments which create the impression of virtual orchestras. Critics have remarked on "his extraordinary feeling for musical narrative" which is achieved through a working method that has been described as "phenomenally painstaking".[2] According to one critic, Wall's "releases sound like the most finely crafted audio sculptures, somewhere between the contemporary composition of Lachenmann and the experiments of early laptop musicians of the mid 90s."[1]