Percussion instrument | |
---|---|
Classification | Membranophone percussion instrument |
Inventor(s) | Sri Guru Arjun Dev Ji |
Developed | 16th century |
Playing range | |
One octave (variable) low | |
Related instruments | |
Tabla, Pakhavaj, mridangam, khol, dholak, nagara, madal, tbilat, bongos | |
Musicians | |
Sukhvinder Singh 'Pinky', Bhai Baldeep Singh, Bhai Jasdeep Singh, Bhai Surdarshan Singh and Bhai Gian Singh Naamdhari | |
More articles or information | |
https://www.sikhmusicalheritage.com/jori |
Jori, Jodi, Dhamma, or Jorhi (sometimes Jori-Pakhawaj) is a South Asian percussion instrument made up of two individual drums. The Jori originates from the Punjab region of South Asia.[1] Historically, the Jori has accompanied Gurbani Kirtan.[1][2] Prominent exponents of the Jori include Ustad Sukhvinder Singh "Pinky".[3] Bhai Baldeep Singh, Sardar Jasdeep Singh, Bhai Surdarshan Singh and Bhai Gian Singh Namdhari.[1]
In its construction, the Jori is similar to the Tabla. The key differences being the use of a larger dayan/chathoo (also known as Poorra) (treble drum), and a wooden barrel-shaped bayan/dagga (bass drum) with atta (dough) instead of the syahi/gub, which is called a "Dhamma" .[4]