Joyce Reopel | |
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Born | January 21, 1933 Worcester, MA |
Died | January 16, 2019 Portsmouth, NH |
Education | Worcester Art Museum School; Ruskin School of Drawing & Fine Arts, Oxford University |
Known for | silver- and goldpoint drawings, paintings and sculpture |
Movement | Boston Expressionism |
Spouse | Mel Zabarsky |
Awards | American Academy of Arts & Letters: Arts & Letters Award; Ford Foundation Grant; National Institute of Arts & Letters (NIAL) Grant; Radcliffe Scholar; Yale-Norfolk Fellowship; Harvard/Radcliffe Bunting Institute Fellowship |
Website | https://www.joycereopel.com |
Joyce Reopel (1933–2019) was an American painter, draughtswoman and sculptor who worked in pencil, aquatint, silver- and goldpoint, and an array of old master media. A Boris Mirski Gallery veteran, from 1959 to 1966,[1] she was known for her refined skills and virtuosity. She was also one of very few women[2][3] in the early group of Boston artists that included fellow artist and husband Mel Zabarsky, , , ], and others who helped overcome Boston's conservative distaste for the avant-garde, occasionally female, and often Jewish artists later classified as Boston expressionists. Unique to New England, Boston Expressionism has had lasting local and national influence, and is now in its third generation.