La Boudeuse (painting)

La Boudeuse
ArtistAntoine Watteau
YearBetween 1715 and 1718
See § Dating
CatalogueG 114; DV 303; R 101; HA 220; EC 116; F B24; RM 163; RT 44
Mediumoil on canvas
Dimensions42 cm × 34 cm (17 in × 13 in)
LocationHermitage Museum, Saint Petersburg
AccessionГЭ-4120

La Boudeuse is the modern title[a] given to an oil on canvas painting in the Hermitage Museum, Saint Petersburg, by the French Rococo painter Antoine Watteau (1684–1721). Completed in the late 1710s, La Boudeuse depicts a young couple set amidst a park in the foreground, in a rare example of the two-figure landscape composition which is considered one of the best fêtes galantes in Watteau's later work. However, the picture's authenticity was also a subject of scholarly debate, for it had been engraved by English painter Philippe Mercier, once a follower of Watteau, and was not included in Jean de Jullienne's edition of Watteau's work published in the 1730s.

Since the mid-18th century, La Boudeuse was among collections formed by the British statesman Robert Walpole, and later by his son, the writer Horace Walpole; until the sale of 1842, it was located in Horace Walpole's estate, Strawberry Hill House. Following a number of sales in the middle of the 19th century, the painting came into possession of prominent Russian art collector, Count Pavel Stroganov [ru]; after the Revolution of 1917, La Boudeuse was transferred into the Hermitage Museum, where it remains.

  1. ^ Benard, Pierre Maurice (1810). Cabinet de M. Paignon Dijonval. Paris: De l'imprimerie de Madame Huzard. p. 282 – via Gallica.: "8090. […] Bergers conduisant leurs troupeaux , et la boudeuse : 2 pièces en h. Ravenet et P. M. sc."
  2. ^ Cellier, Louis (1867). Antoine Watteau, son enfance, ses contemporains. Valenciennes: L. Henry. p. 88. OCLC 921714440.
  3. ^ Goncourt 1875, pp. 107–108.
  4. ^ Eidelberg 1969, p. 276 n. 17; Grasselli, Rosenberg & Parmantier 1984, p. 355; Raymond 2013, p. 63; Hermitage Museum 2019, p. 142.
  5. ^ Volskaya 1933, p. 27.
  6. ^ Belova 2008, p. 27; Belova 2010, p. 145; Hermitage Museum 2019, p. 142.
  7. ^ Wescher, Paul (Autumn 1951). "Philippe Mercier and the French Artists in London". Art Quarterly. 14: 179–194 – via the Internet Archive.
  8. ^ Grasselli, Rosenberg & Parmantier 1984, p. 354
  9. ^ Levinson-Lessing, V. F. [in Russian]; et al. (1966). The Hermitage, Leningrad: Baroque & Rococo Masters. London: Paul Hamlyn. note no. 69 – via the Internet Archive.
  10. ^ Grasselli, Rosenberg & Parmantier 1984, p. 354; Zolotov 1985, p. 110
  11. ^ Cite error: The named reference Deryabina1988 was invoked but never defined (see the help page).


Cite error: There are <ref group=lower-alpha> tags or {{efn}} templates on this page, but the references will not show without a {{reflist|group=lower-alpha}} template or {{notelist}} template (see the help page).