| "Love No Limit" | ||||
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| Single by Mary J. Blige | ||||
| from the album What's the 411? | ||||
| Released | May 10, 1993 | |||
| Recorded | 1992 | |||
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| Length | 5:02 | |||
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| Producer(s) | Dave "Jam" Hall | |||
| Mary J. Blige singles chronology | ||||
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| Music video | ||||
| "Love No Limit" on YouTube | ||||
"Love No Limit" is a song by American recording artist Mary J. Blige. It was co-written by Kenny Greene and Dave "Jam" Hall for her debut album, What's the 411? (1992), while production was overseen by Hall. Released in May 1993 by Uptown and MCA as the album's fourth and final single, the song became a top-5 hit, reaching number five on the US Billboard R&B singles chart. It also peaked at numbers 44 and 43 on the Billboard Hot 100 and Cash Box Top 100. Hall has stated in interviews, that he wanted to give the song an urban, hip-hop feel to a much more jazzy sound, when it was created.
R&B singer Monica sang the song as a tribute at the Essence Awards 2003.[1] Blige later performed the song at the 3rd BET Honors in 2010, as part of a medley of her hits, when she paid tribute to honoree Diddy. The song was also briefly played in the 1993 American comedy film CB4, starring Chris Rock.
"Love No Limit was the last record we wrote for the album. I had a deadline to meet and Diddy was pressuring me to get it done,” he laughs. “He kept calling my house and I told him I had this song called; ‘Love No Limit’ that I wrote with Kenny Greene. He said, ‘Cool. Let me hear it.’ So I played it for him and he said, ‘I like it.’ But I don’t think he was 100% sold on it. We moved forward with it even though it was much different from the rest of the material on the album. It was really jazzy. I was big into old school jazz like Sarah Vaughan and Ella Fitzgerald. Kenny Greene was church trained so we did the song with a jazzy feel, but it still had a strong beat to it. He wrote a catchy hook to it and Mary loved it. She definitely loved that type of jazz music. This whole album defined her sound per se. We cut the record and I thought it turned out great, but we were still skeptical on how it would be received because it was so different than any of the other stuff on her album. I was amazed when it came out because there would be guys on the corner in the hood blasting the song".
—Dave "Jam" Hall talking to Ebony Magazine about how the song was made.[2]