Ludmilla Azova

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) The topic of this article may not meet Wikipedia's general notability guideline. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: "Ludmilla Azova" – news · newspapers · books · scholar · JSTOR (October 2024) (Learn how and when to remove this message) This article's factual accuracy is disputed. Relevant discussion may be found on the talk page. Please help to ensure that disputed statements are reliably sourced. (October 2024) (Learn how and when to remove this message) This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (October 2024) (Learn how and when to remove this message) (Learn how and when to remove this message)

Ludmilla Azova is a soprano opera singer who studied at the New York College of Music^{[citation needed]} and has appeared as a soloist with the New York Philharmonic^{[citation needed]} and the National Orchestra Association,^[1] and performed the role of Fiordiligi in Mozart's Così fan tutte with the Bermuda Festival Theatre.^[2] Other operatic roles performed in New York include Mimì in La bohème, Madama Butterfly and Marguerite in Faust.^{[citation needed]} In 1966, she appeared as Anna Gomez in a production of Gian Carlo Menotti's The Consul at New York City Opera.^[3] Azova has also been an active recitalist. In a review, dated October 6, 1969, in The New York Times, Peter G. Davis wrote, "Ludmilla Azova brought a bright, silvery soprano and an abundance of authoritative style to her Russian song recital at Town Hall late yesterday afternoon. Born in Europe of Russian parents, Miss Azova clearly knows where of what she sings ... In addition to the charm and elegance of her interpretations, Miss Azova's well-schooled, even, secure soprano consistently delighted the ear ... She is a beautiful woman, a charming recitalist and a singer of accomplishment."^[4]