Manuel Penella

You can help expand this article with text translated from the corresponding article in Spanish. (December 2008) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Manuel Penella Moreno]]; see its history for attribution. You may also add the template {{Translated|es|Manuel Penella Moreno}} to the talk page. For more guidance, see Wikipedia:Translation.

Manuel Penella
Manuel Penella Moreno in 1913
Born	Manuel Penella Moreno (1880-07-31)31 July 1880 Valencia, Spain
Died	24 January 1939(1939-01-24) (aged 58) Cuernavaca, Mexico

Manuel Penella Moreno (31 July 1880 in Valencia – 14 January 1939 in Cuernavaca) was a Spanish composer. His father was the composer Manuel Penella Raga. His daughter Magdalena Penella Silva married the politician Ramón Ruiz Alonso; through her, he was the grandfather of actresses Emma Penella, Elisa Montés and Terele Pávez.

Although his most popular work at home and abroad is the oft-revived opera española El gato montés (a special favourite of Plácido Domingo, who has revived it several times and recorded it for Deutsche Grammophon), several of his other works still enjoy popularity in Spain and the Spanish-speaking world, notably the chamber opera Don Gil de Alcalá (scored in Mexican style for strings and harp), some of his revues and the ambitious, late zarzuela La malquerida (1935), based on the masterpiece by Jacinto Benavente.