Michael Asher | |
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Born | Los Angeles, California, U.S. | July 15, 1943
Died | October 15, 2012 Los Angeles, California, U.S. | (aged 69)
Education | University of California, Irvine (BA) |
Occupation | Visual artist |
Movement | Conceptual art |
Michael Max Asher (July 15, 1943 – October 15, 2012) was an American conceptual artist, described by The New York Times as "among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive art."[1] Rather than designing new art objects, Asher typically altered the existing environment, by repositioning or removing artworks, walls, facades, etc.
Asher was also a highly regarded professor of art, who spent decades on the faculty at California Institute of the Arts.[2] Cited by numerous successful artists as an important influence in their development, Asher's teaching has been described by British journalist Sarah Thornton as his "most influential" work.[3]