Narcisa Hirsch

Narcisa Hirsch (née Heuser, 16 February 1928 – 4 May 2024) was an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement and the female gaze.[1] Despite this focus on women, she resisted being labeled as a feminist.[2]

She began as a painter, but her later and better known work centers on performance and film, though she also wrote several books. She cited Salvador Dalí and Luis Buñuel as influences on her experimental film work, as well as the Bauhaus artists of Germany.[3]

During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered.[2]

Latterly, her work was honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered. She won the Platinum Konex Award from Argentina in 2022.[4]

  1. ^ Szperling, Silvina (Fall 2013). "Ritual in Transfigured Time: Narcisa Hirsch, Sufi Poetry, Ecstatic Dances, and the Female Gaze". The International Journal of Screendance. 3: 72–84.
  2. ^ a b "Narcisa Hirsh and Argentine Experimental Film". offscreen.com. Retrieved 10 March 2019.
  3. ^ Cite error: The named reference :1 was invoked but never defined (see the help page).
  4. ^ "Narcisa Hirsch Konex Award". Fundación Konex.