| New-school hip hop | |
|---|---|
| Stylistic origins | |
| Cultural origins | Early 1980s, Queens, Brooklyn, New York City |
| Typical instruments | |
| Subgenres | |
| Golden age hip hop | |
| Local scenes | |
| South Bronx, Brooklyn, Hollis, Queens, Jamaica, Queens | |
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
The somewhat broader era of Golden age hip hop is applied to late 1980s-to-early 1990s mainstream hip hop,[1] characterized by diversity, quality, innovation and influence,[2] and associated with Public Enemy, KRS-One and his Boogie Down Productions, Eric B. & Rakim, Ultramagnetic MCs,[3][4] De La Soul, A Tribe Called Quest, and the Jungle Brothers,[5] known for themes of Afrocentricity and political militancy, experimental music, and eclectic sampling.[6] This period is sometimes referred to as "Mid-school" or "middle school"; associated acts included Gang Starr, The UMC's, Main Source, Lord Finesse, EPMD, Just Ice, Stetsasonic, True Mathematics, and Mantronix.[7]
The innovations of Run-D.M.C., MC Shan, and LL Cool J, and New School Producers such as Larry Smith and Rick Rubin of Def Jam, were quickly surpassed by Beastie Boys, Marley Marl and his Juice Crew MCs, Boogie Down Productions, Public Enemy, and Eric B. & Rakim. Hip-hop production became denser, rhymes and beats faster, as the drum machine was augmented with Sampler technology. Rakim took lyrics about the art of rapping to new heights, while KRS-One and Chuck D pushed "message rap" towards black activism. Native Tongues artists' inclusive, sample-crowded music accompanied their positivity, Afrocentricity, and playful energy. The new school/golden age ended with the eventual commercial dominance of West Coast gangsta rap, particularly the emergence of the relaxed sounds of G-funk by the early nineties, while the East Coast scene became dominated by hardcore rappers such as the Wu-Tang Clan and gangsta rappers such as Nas and The Notorious B.I.G.
The terms "old school" and "new school" fell into the vernacular as synonyms for "old" and "new" in hip hop, to the confusion and occasional exasperation of writers who use the terms historically.[a][b] The phrase "Leader of The New School", coined in hip hop by Chuck D in 1988, and given further currency by the eponymous group Leaders of the New School (who were named by Chuck D before signing with Elektra in 1989), remains popular. It has been applied to artists ranging from Jay-Z to Lupe Fiasco.[8]