Object-oriented user interface

In computing, an object-oriented user interface (OOUI) is a type of user interface based on an object-oriented programming metaphor, and describes most modern operating systems ("object-oriented operating systems") such as MacOS and Windows. In an OOUI, the user interacts explicitly with objects that represent entities in the domain that the application is concerned with. Many vector drawing applications, for example, have an OOUI – the objects being lines, circles and canvases. The user may explicitly select an object, alter its properties (such as size or colour), or invoke other actions upon it (such as to move, copy, or re-align it). If a business application has any OOUI, the user may be selecting and/or invoking actions on objects representing entities in the business domain such as customers, products or orders.

Jakob Nielsen defines the OOUI in contrast to function-oriented interfaces: "Object-oriented interfaces are sometimes described as turning the application inside-out as compared to function-oriented interfaces. The main focus of the interaction changes to become the users' data and other information objects that are typically represented graphically on the screen as icons or in windows."[1]

Dave Collins defines an OOUI as demonstrating three characteristics:

  • Users perceive and act on objects
  • Users can classify objects based on how they behave
  • In the context of what users are trying to do, all the user interface objects fit together into a coherent overall representation[2]

Jef Raskin suggests that the most important characteristic of an OOUI is that it adopts a 'noun-verb', rather than a 'verb-noun' style of interaction, and that this has several advantages in terms of usability.[3]

  1. ^ Nielsen, J., Usability Engineering. 1993, San Francisco: Morgan Kaufmann / Academic Press
  2. ^ Collins, D., Designing Object-oriented User interfaces. 1995, Redwood City, CA: Benjamin/Cummings
  3. ^ Raskin, J., The Humane Interface. 2000, Reading, MA: Addison-Wesley / ACM Press