Pietro Annigoni completed a number of portraits of Queen Elizabeth II between 1954 and 1972. In 1955, he painted her for the Worshipful Company of Fishmongers and in 1969 for the National Portrait Gallery. The two portraits were united for the National Portrait Gallery's exhibition; The Queen: Art and Image, held to mark the Diamond Jubilee of Queen Elizabeth II in 2012.[1] In 1972, Annigoni completed a circular drawing of the Queen and Prince Philip, Duke of Edinburgh to mark their silver wedding anniversary.
The 1955 portrait was popular with the public and liked by the Queen but criticised for its romantic treatment and for prioritising Elizabeth's role as the monarch over insights into her inner life. The 1969 portrait continued the theme of emphasising the Royal role by placing Elizabeth against a featureless background that symbolised her sole responsibility as monarch. It was unpopular with the public.