Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually controlled the Italian Peninsula, assimilating the Greek culture of southern Italy (Magna Grecia) and the Etruscan culture, and then became the dominant power in the Mediterranean region and parts of Europe. At its height it controlled the North African coast, Egypt, Southern Europe, and most of Western Europe, the Balkans, Crimea, and much of the Middle East, including Anatolia, Levant, and parts of Mesopotamia and Arabia. That empire was among the largest empires in the ancient world, covering around 5 million square kilometres (1.9 million square miles) in AD 117, with an estimated 50 to 90 million inhabitants, roughly 20% of the world's population at the time. The Roman state evolved from an elective monarchy to a classical republic and then to an increasingly autocraticmilitary dictatorship during the Empire.
Ancient Rome is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern language, religion, society, technology, law, politics, government, warfare, art, literature, architecture, and engineering. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. It achieved impressive technological and architectural feats, such as the empire-wide construction of aqueducts and roads, as well as more grandiose monuments and facilities. (Full article...)
Allegorical scene from the AugustanAra Pacis, 13 BCE, a highpoint of the state Greco-Roman style
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. While a great deal of Roman sculpture, especially in stone, survives more or less intact, it is often damaged or fragmentary; life-size bronze statues are much more rare as most have been recycled for their metal. (Full article...)
Image 12Slave holding writing tablets for his master (relief from a 4th-century sarcophagus) (from Roman Empire)
Image 13Solidus issued under Constantine II, and on the reverse Victoria, one of the last deities to appear on Roman coins, gradually transforming into an angel under Christian rule (from Roman Empire)
Image 44Forum of Gerasa (Jerash in present-day Jordan), with columns marking a covered walkway (stoa) for vendor stalls, and a semicircular space for public speaking (from Roman Empire)
Image 55Excavation on the Palatine Hill has found the foundations of a hut believed to correspond to the Hut of Romulus, which the Romans themselves preserved into late antiquity (from Founding of Rome)
Image 58Landscape resulting from the ruina montium mining technique at Las Médulas, Spain, one of the most important gold mines in the Roman Empire (from Roman Empire)
Image 66Workers at a cloth-processing shop, in a painting from the fullonica of Veranius Hypsaeus in Pompeii (from Roman Empire)
Image 67A fresco from Pompeii depicting the foundation of Rome. Sol riding in his chariot; Mars descending from the sky to Rhea Silvia lying in the grass; Mercury shows to Venus the she-wolf suckling the twins; in the lower corners of the picture: river-god Tiberinus and water-goddess Juturna. 35–45 AD. (from Founding of Rome)
Image 69Pride in literacy was displayed through emblems of reading and writing, as in this portrait of Terentius Neo and his wife (c. 20 AD) (from Roman Empire)
His reign was marked by the ambitious but only partly realized renovatio imperii, or "restoration of the Empire". This ambition was expressed by the partial recovery of the territories of the defunct Western Roman Empire. His general, Belisarius, swiftly conquered the Vandal Kingdom in North Africa. Subsequently, Belisarius, Narses, and other generals conquered the Ostrogothic Kingdom, restoring Dalmatia, Sicily, Italy, and Rome to the empire after more than half a century of rule by the Ostrogoths. The praetorian prefect Liberius reclaimed the south of the Iberian Peninsula, establishing the province of Spania. These campaigns re-established Roman control over the western Mediterranean, increasing the Empire's annual revenue by over a million solidi. During his reign, Justinian also subdued the Tzani, a people on the east coast of the Black Sea that had never been under Roman rule before. He engaged the Sasanian Empire in the east during Kavad I's reign, and later again during Khosrow I's reign; this second conflict was partially initiated due to his ambitions in the west. (Full article...)
...That the Pater familias of a family, had the power to sell his children into slavery?
...That Trajan was the last Roman Emperor to harry the coast of Arabia with the Roman Navy?
...That Trajan was born at Italica, in Spain and adopted by the Roman Emperor Nerva and made his heir, which entitled Trajan to call himself the son of Nerva
[...] Caesar is a god in his own city. Outstanding in war or peace, it was not so much his wars that ended in great victories, or his actions at home, or his swiftly won fame, that set him among the stars, a fiery comet, as his descendant. There is no greater achievement among Caesar's actions than that he stood father to our emperor. Is it a greater thing to have conquered the sea-going Britons; to have led his victorious ships up the seven-mouthed flood of the papyrus-bearing Nile; to have brought the rebellious Numidians, under Juba of Cinyps, and Pontus, swollen with the name of Mithridates, under the people of Quirinus; to have earned many triumphs and celebrated few; than to have sponsored such a man, with whom, as ruler of all, you gods have richly favoured the human race? Therefore, in order for the emperor not to have been born of mortal seed, Caesar needed to be made a god. [...]
Augustus, his 'son', will ensure that he ascends to heaven as a god, and is worshipped in the temples. Augustus, as heir to his name, will carry the burden placed upon him alone, and will have us with him, in battle, as the most courageous avenger of his father's murder. Under his command, the conquered walls of besieged Mutina will sue for peace; Pharsalia will know him; Macedonian Philippi twice flow with blood; and the one who holds Pompey's great name, will be defeated in Sicilian waters; and a Roman general's Egyptian consort, trusting, to her cost, in their marriage, will fall, her threat that our Capitol would bow to her city of Canopus, proved vain.
Why enumerate foreign countries or the nations living on either ocean shore? Wherever earth contains habitable land, it will be his: and even the sea will serve him!
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