Portal:Music

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The Music Portal

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.

Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

General images - load new batch

The following are images from various music-related articles on Wikipedia.

Image 1The Bull Headed Lyre of Ur, found in the Royal Cemetery at Ur, is the best known of the ancient Lyres of Ur (from History of music)
Image 2A Rhodes College student listening to the 1969 Yes LP on campus, c. 1970 (from Album era)
Image 3J. S. Bach (from History of music)
Image 4A smartphone displaying playlists on Spotify, 2010. The streaming service became a dominant and redefining platform for music consumption through the decade. (from Album era)
Image 5The logo for Apple Inc.'s online iTunes store, which sells digital files of songs and musical pieces–along with a range of other content, such as digital files of TV shows and movies (from Music industry)
Image 6Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames (from History of music)
Image 7Two musicians of the Eastern Han Dynasty (25–220 CE), Shanghai Museum (from History of music)
Image 8An LP record on a phonograph (from Album era)
Image 9Frank Sinatra (c. 1955), an early pop album artist (from Album era)
Image 10The Japanese boy band Arashi, who had the world's best-selling album (5x20 All the Best!!) in 2019 (from Album era)
Image 11The Rolling Stones in 1967 (from Album era)
Image 12US vinyl sales in units, 1995–2020; while album sales overall declined, those in the vinyl format rose toward the end of the 2010s. (from Album era)
Image 13An example of mechanically printed sheet music (from Music industry)
Image 14The portable Discman CD player, which was released in 1984 and precipitated the displacement of LPs (from Album era)
Image 15Stevie Wonder, among the era's innovative artists (from Album era)
Image 16Taylor Swift, a longtime adherent to album-era rollouts, surprise-released her albums instead in 2020. (from Album era)
Image 17A radio broadcasting system from 1906 (from Music industry)
Image 18An audience watching a concert (from Music industry)
Image 19The monumental Bianzhong of Marquis Yi of Zeng, c. 5th century BCE, from Hubei (from History of music)
Image 20Notation indicating differing pitch, dynamics, articulation, and instrumentation (from Elements of music)
Image 21A musician in a recording studio (from Music industry)
Image 22The Beatles (1964) have been credited by music historians for heralding the album era. (from Album era)
Image 23A young couple listening to music on an iPod Mini, 2006 (from Album era)
Image 24Frances Densmore at the Smithsonian Institution in 1916 where she was recording Blackfoot chief Mountain Chief for the Bureau of American Ethnology. In this picture, Mountain Chief is listening to a recording. (from Music industry)
Image 25Beyoncé (2016) popularized the surprise-album strategy of the 2010s. (from Album era)
Image 26As LPs fell out of favor to CDs, hip hop producers repurposed them as sampling sources, contributing to the development of record collecting. (from Album era)
Image 27Circular definition of "musicality" (from Elements of music)
Image 28Pink Floyd (1973) performing The Dark Side of the Moon, a leading commercial success of the LP era (from Album era)
Image 29Platinum records by Elvis Presley, Prince, Madonna, Lynyrd Skynyrd, and Bruce Springsteen, at Julien's Auctions (from Album era)
Image 30Musicians working in a recording studio (from Music industry)
Image 31A studio engineer working with an audio mixer in a recording studio (from Music industry)
Image 32Sheet music for part of the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina (from History of music)
Image 33Clara and Robert Schumann (from History of music)
Image 34A live musical performance at Cologne Pride, 2013 (from Music industry)
Image 35Alleluia nativitas by Perotin from the Codex Guelf.1099 (from History of music)
Image 36Drawing of the tablet with the Hymn to Nikkal (c. 1400 BCE), the oldest of the Hurrian songs (from History of music)
Image 37c. 379 CE Bas relief of Sassanid women playing the chang in Taq-e Bostan, Iran (from History of music)
Image 38A young man browsing through a record store in Bonn, West Germany, June 1988 (from Album era)
Image 39Terracotta statue of a Parthian lute player (from History of music)
Image 40Kanye West (2007) emerged during the decade as an important hip-hop producer and album artist. (from Album era)
Image 41An HMV record shop in Wakefield, England closing its operation in 2013 (from Album era)

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Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

Image 1
Portrait by Franz von Lenbach, 1879

Francesca Gaetana Cosima Wagner (née Liszt; 24 December 1837 – 1 April 1930) was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works; after his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly Parsifal.

In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bülow. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. They married in 1870; after Wagner's death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its repertoire to form the Bayreuth canon of ten operas and establishing the festival as a major event in the world of musical theatre. (Full article...)
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Lions is the sixth studio album by American rock band the Black Crowes. It was released in 2001 as their first album on V2 Records following their departure from Columbia, and is their only studio album to feature guitarist Audley Freed. Lions was recorded in New York City in January and February of that year, and was produced by Don Was. Bass guitar duties were shared by Rich Robinson and Was, as Greg Rzab had left the band and was not replaced until the tour that followed the release of the album.

The album debuted on the Billboard 200 at its peak position of 20, selling more than 53,000 copies in its first week. Lions received mixed reviews; although the overall sound of the album generally garnered praise, a frequent complaint was the lack of "memorable" songs. The critics who rated Lions lowest considered it a poor imitation of the band's influences, such as Led Zeppelin. (Full article...)
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A Crow Looked at Me is the eighth studio album by Mount Eerie, a solo project of the American musician Phil Elverum. Released in 2017, it was composed in the aftermath of his 35-year-old wife Geneviève Castrée's diagnosis with pancreatic cancer in 2015, and her death in July 2016. Elverum wrote and recorded the songs over a six-week period in the room where she died, mostly using her instruments. His sparse lyrics and minimalistic musical accompaniment drew influence from a broad range of artists, including the poet Gary Snyder, author Karl Ove Knausgård and songwriter Julie Doiron.

Characterized by lo-fi production and loose instrumentation, A Crow Looked at Me departs from Elverum's earlier and more complex experimental works, but is musically similar to his album Lost Wisdom (2008). The lyrics are presented in a diary-like form and sung in a raw, intimate style. They describe Castrée's illness and death, Elverum's grief, and his relationship with their infant child. The album was deliberately underpromoted, and he at first considered releasing the songs under a name other than Mount Eerie. The singles "Real Death" (January 2017) and "Ravens" (February), were accompanied by a single low key concert. After its release, he undertook well-received tours of North America and Europe, and in 2018 released the album (after), a live performance of the songs. (Full article...)
Image 4

Jackson in 2015

Janet Damita Jo Jackson (born May 16, 1966) is an American singer, songwriter, actress, and dancer. She is noted for her innovative, socially conscious and sexually provocative records, as well as elaborate stage shows. Her sound and choreography became a catalyst in the growth of MTV, enabling her to rise to prominence while breaking gender and racial barriers in the process. Lyrical content that focused on social issues and lived experiences set her reputation as a role model for youth.

The tenth and youngest child of the Jackson family, she made her debut at the MGM Grand. She starred in the variety television series The Jacksons in 1976 and went on to appear in other television shows throughout the 1970s and early 1980s, including Good Times, Diff'rent Strokes, and Fame. After signing a recording contract with A&M Records in 1982, she became a pop icon following the release of her third and fourth studio albums Control (1986) and Rhythm Nation 1814 (1989). Her collaborations with record producers Jimmy Jam and Terry Lewis incorporated elements of rhythm and blues, funk, disco, rap, and industrial beats, which led to crossover success in popular music. In 1991, Jackson signed the first of two record-breaking multimillion-dollar contracts with Virgin Records, establishing her as one of the highest-paid artists in the industry. Prior to her first studio project with Virgin, she appeared in her first of several lead film roles in Poetic Justice (1993). Her two studio albums which followed, Janet (1993) and The Velvet Rope (1997), saw her develop a public image as a sex symbol. These records, along with their promotional music videos and live performances in concert tours, branded Jackson as one of the world's most erotic performers, garnering both criticism and praise. By the end of the 1990s, she was named by Billboard magazine as the second most successful recording artist of the decade in the United States after Mariah Carey. The release of her seventh studio album All for You in 2001 coincided with a celebration of her impact on the recording industry as the subject of the inaugural MTV Icon special. (Full article...)
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It Was Hot, We Stayed in the Water is the second studio album by American indie folk and indie rock band the Microphones. It was released by K Records on September 26, 2000. After gaining a small following with 1999's Don't Wake Me Up, frontman Phil Elverum recorded It Was Hot at Dub Narcotic Studio in Olympia, Washington, between September 1999 and March 2000. Recorded on analog tape, Elverum embraced the medium's technical imperfections. Classified by critics as indie rock, lo-fi, and indie pop, It Was Hot revolves thematically around the concept of water, with lyrics focusing on nature. The 11-minute track "The Glow" acts as the album's climax and introduces the concept of the "glow", which would be explored in more depth on the Microphones' subsequent studio album, The Glow Pt. 2.

On release, It Was Hot received positive reviews from Pitchfork, AllMusic, Rock Sound, and NME. Pitchfork listed the album at number seven in their "Top 20 Albums of 2000". Following its 2013 reissue, the album was critically reappraised, receiving positive reviews from PopMatters, Consequence of Sound, and Treblezine. The album is frequently compared to, and commonly said to be overshadowed by, The Glow Pt. 2. (Full article...)
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The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent recording and release of John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.

During his 1965–1966 world tour, Dylan was backed by the Hawks, a five-member rock group who would later become famous as the Band. After Dylan was injured in a motorcycle accident in July 1966, four members of the Hawks came to Dylan's home in the Woodstock area to collaborate with him on music and film projects. While Dylan was out of the public's eye during an extended period of recovery in 1967, he and the members of the Hawks recorded more than 100 tracks together, incorporating original compositions, contemporary covers, and traditional material. Dylan's new style of writing moved away from the urban sensibility and extended narratives that had characterized his most recent albums, Highway 61 Revisited and Blonde on Blonde, toward songs that were more intimate and which drew on many styles of traditional American music. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the Americana genre. For some critics, the songs on The Basement Tapes, which circulated widely in unofficial form, mounted a major stylistic challenge to rock music in the late sixties. (Full article...)
Image 7

Poster promoting the band's 6 July concert at the Honolulu International Center

The English rock band the Kinks staged their first concert tour of the United States in June and July 1965. The sixteen concerts comprised the third stage of a world tour, following shows in Australasia, Asia and in the United Kingdom and before later stages in continental Europe. Initially one of the most popular British Invasion groups, the Kinks saw major commercial opportunity in the US, but the resultant tour was plagued with issues between the band, their management, local promoters and the American music unions. Promoters and union officials filed complaints over the Kinks' conduct, prompting the US musicians' union to withhold work permits from the band for the next four years, effectively banning them from US performance.

The programme was in the package-tour format typical of the 1960s, with one show per day, several support acts on the bill and the Kinks' set lasting around 40 minutes. Concerts were characterised by screaming fans and weak sound systems. The US press, which still largely viewed rock music as simple teenage entertainment, generally avoided reporting on the tour. Some shows were poorly attended, owing to a lack of advertising and promotion, leaving local promoters sometimes unable to pay the band the full amount they were due. A payment disagreement led to the band refusing to perform at the Cow Palace near San Francisco, and an argument over a union contract before a television appearance resulted in Ray Davies, the Kinks' bandleader, physically fighting with a union official. (Full article...)
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Walter Bache

Walter Bache (/ˈbeɪtʃ/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned.

Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
$Image 9 Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements. The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)$

Image 9
Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements.

The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)
Image 10

Lutosławski in 1992

Witold Roman Lutosławski (Polish: [ˈvitɔld lutɔˈswafski] ; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970).

During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown—and Dance Preludes (1955), which he described as a "farewell to folklore". From the late 1950s he began developing new, characteristic composition techniques. He introduced limited aleatoric elements, while retaining tight control of his music's material, architecture, and performance. He also evolved his practice of building harmonies from small groups of musical intervals. (Full article...)
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"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. It has been praised by critics and covered by artists such as Dinosaur Jr. and Katie Melua. Smith has said he considers "Just Like Heaven" to be one of the band's strongest songs. (Full article...)
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"Halo" is a song recorded by American singer and songwriter Beyoncé for her third studio album, I Am... Sasha Fierce (2008). Included on the I Am... disc, it was intended to give a behind-the-scenes glimpse of Beyoncé's life, stripped of her make-up and celebrity trappings. Columbia Records released the song, the album's fourth single, to mainstream radio in the United States on January 20, 2009, and to international markets from February 20. Inspired by Ray LaMontagne's 2004 song "Shelter", "Halo" was written by Ryan Tedder and Evan Bogart, with the former producing it alongside Beyoncé, who handled the vocal production. It was originally conceived by Tedder and Bogart specifically for Beyoncé, although there was media speculation that it had been intended for Leona Lewis.

"Halo" is a pop and R&B power ballad, the lyrics of which describe a sublime love. It features drum, piano, keyboard, string, synthesizer, and percussion instrumentation. The song faced a controversy when Kelly Clarkson claimed that Tedder had reused the musical arrangement in her own 2009 song "Already Gone". "Halo" received positive reviews from music critics, who made comparisons with Lewis's 2007 song "Bleeding Love", also written by Tedder. Its production and Beyoncé's vocals also received critical praise. "Halo" was nominated for Record of the Year and won Best Female Pop Vocal Performance at the 52nd Annual Grammy Awards. It won Best Song at the 2009 MTV Europe Music Awards. (Full article...)
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"Welcome to New York" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Written by Swift and Ryan Tedder, the song was inspired by Swift's relocation to New York City in April 2014. Its lyrics explore a newfound freedom in the city and a lighthearted attitude towards past heartbreaks.

Swift, Tedder, and Noel Zancanella produced "Welcome to New York", a track driven by pulsing synthesizers, programmed drums, and multitracked vocals. Music critics described the genre as synth-pop, electropop, and disco. The song was released for download on October 20, 2014, a week ahead of 1989's release. "Welcome to New York" received mixed reviews from critics, most of whom criticized the lyrics as unsophisticated for a New York tribute song. Some defenders praised the production as bright and catchy and interpreted the lyrics as being supportive of LGBT rights. (Full article...)
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"Out of the Woods" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote and produced the song with Jack Antonoff. With lyrics inspired by a failed relationship and the ensuing anxieties that Swift experienced, "Out of the Woods" is a synth-pop song with elements of Eurodance and indietronica and features heavy synthesizers, looping drums, and layered background vocals.

Big Machine Records made the song available for download on October 14, 2014, as a promotional single for 1989. Swift premiered the music video for "Out of the Woods" on ABC's Dick Clark's New Year's Rockin' Eve on December 31, 2015; the video depicts Swift struggling to escape from a magical forest. The song was released to US pop and hot adult contemporary radio as the album's sixth single on January 19, 2016, by Big Machine in partnership with Republic Records. (Full article...)
Image 15

Swift in 2023

Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Known for her biographical songwriting, artistic reinventions, and cultural impact, Swift is a leading figure in popular music and the subject of widespread public interest.

Swift signed to Big Machine Records in 2005 starting as a country singer with the albums Taylor Swift (2006) and Fearless (2008). Her singles "Teardrops on My Guitar", "Love Story", and "You Belong with Me" found crossover success on country and pop radio formats. She experimented with rock on Speak Now (2010) and electronic on Red (2012), later recalibrating her image from country to pop with the synth-pop album 1989 (2014); the ensuing media scrutiny inspired the hip-hop-imbued Reputation (2017). The albums contained the Billboard Hot 100 number-one singles "We Are Never Ever Getting Back Together", "Shake It Off", "Blank Space", "Bad Blood" and "Look What You Made Me Do". (Full article...)

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Selected pictures

Image 1
Ludwig van Beethoven
Photo: W. J. Mayer; Restoration: Lise Broer
A bust of the German composer and pianist Ludwig van Beethoven (1770–1827), made from his death mask. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most acclaimed and influential composers of all time. Born in Bonn, of the Electorate of Cologne and a part of the Holy Roman Empire of the German Nation in present-day Germany, he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after becoming completely deaf.
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Image 2
Nicholas Lanier
Painting credit: Anthony van Dyck
Nicholas Lanier (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music, in the service of Charles I and Charles II. He was one of the first composers to introduce monody and recitative to England.

After this oil-on-canvas portrait was painted by the Flemish painter Anthony van Dyck in Antwerp, Lanier convinced the king to bring van Dyck to England, where he became the leading court painter. The portrait displays an attitude of studied carelessness, often termed sprezzatura, defined as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". The painting now hangs in the Kunsthistorisches Museum in Vienna.
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Nelly Martyl
Photograph credit: Jean Reutlinger; restored by Adam Cuerden
Nelly Martyl (1884–1953) was a French opera singer. She sang in the premieres of several operas, including Leborne's La Catalane (1907), Erlanger's La Sorcière (1912), and Massenet's Amadis (1922). Martyl joined the Red Cross as a nurse during the First World War, and served at the Battle of Verdun in 1916, where she was known as la fée de Verdun (the Fairy of Verdun), and at the Second Battle of the Aisne in 1917. She continued as a nurse after the war to help with the 1918 epidemic of Spanish flu. She was awarded the Croix de Guerre with the carte du combattant (signifying service under particular hazard) in 1920.
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Thomas Linley the elder
Painting: Thomas Gainsborough
Thomas Linley the elder (17 January 1733 – 19 November 1795) was an English bass singer and musician. He began his musical career at age 11 in Bath, becoming apprentice to the organist Thomas Chilcot. Linley married in 1752 and fathered eight children, supporting the family by working as a music teacher. As his children grew he developed their musical talent and was able to draw an increasing amount of income from their concerts. When the Bath Assembly Rooms opened in 1771, Linley became musical director and continued to promote his children's careers. He was eventually able to move to London with the thousands of pounds which he had amassed from their concerts. In addition to his children Linley taught tenor Charles Dignum, singer and actress Anna Maria Crouch, and novelist Frances Sheridan. He collaborated with his son Thomas Linley the younger in penning the comic opera The Duenna, with libretto by his son-in-law Richard Brinsley Sheridan.

This picture is an oil-on-canvas painting created around 1770 by Thomas Gainsborough, showing Linley holding his "Elegies for Three Voices". It hangs in the Dulwich Picture Gallery, London.
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Billy Strayhorn
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Billy Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best remembered for his long-time collaboration with bandleader and composer Duke Ellington that lasted nearly three decades. Though classical music was Strayhorn's first love, his ambition to become a classical composer went unrealized because of the harsh reality of a black man trying to make his way in the world of classical music, which at that time was almost completely white. He was introduced to the music of pianists like Art Tatum and Teddy Wilson at age 19, and the artistic influence of these musicians guided him into the realm of jazz, where he remained for the rest of his life. This photograph of Strayhorn was taken by William P. Gottlieb in the 1940s.
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Louis Armstrong
Photo credit: New York World-Telegram and Sun
Louis Armstrong, nicknamed "Satchmo" or "Pops", was an American jazz trumpeter and singer. Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers. With his distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser and as a scat singer.
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Médée
Graphic: Giuseppe Palanti
Médée is a French-language opera by the composer Luigi Cherubini. Set in the ancient city of Corinth, Greece, it features a libretto by François-Benoît Hoffman and is based on Euripides's tragic play Medea and Pierre Corneille's play Médée. The opera premiered in 1797 at the Théâtre Feydeau in Paris. The long-lost final aria, which Cherubini appears to have deleted from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing X-ray techniques to reveal areas that the composer had blackened out.

This picture shows the title page for a vocal score of the 1909 hybrid version of Médée.
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Oceana (singer)
Photo: ChrisHamburg
Oceana (born 1982) is a German singer of German/Martiniquen descent. She is shown here performing at the Radio Hamburg Top 820.
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Nina Sublatti
Photograph: Ailura
Nina Sublatti (b. 1995) is a Georgian singer, songwriter, and model. Having previously won the 2013 Georgian edition of Idol, she achieved international attention when she represented her country in Eurovision Song Contest 2015 with her song "Warrior". She has since served as a judge on X Factor Georgia and Idols.
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Mary Lou Williams
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Mary Lou Williams (May 8, 1910 – May 28, 1981) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records. Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor and teacher to numerous other jazz musicians. The second of eleven children, she was born in Atlanta, Georgia, and grew up in the East Liberty neighborhood of Pittsburgh, Pennsylvania. A young musical prodigy, she taught herself to play the piano at the age of three. This photograph of Williams at the piano was taken by William P. Gottlieb around 1946.
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Lina Rafn
Photo: Jepsen
Lina Rafn (b. 1976) is a Danish singer, songwriter and producer active with the band Infernal. She had previously been a VJ on the show The Voice TV Danmark.
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Mike Dirnt
Photograph: Sven-Sebastian Sajak
Mike Dirnt (b. 1972) is an American musician, songwriter and composer. He is best known as the co-founder, bassist, backing and occasional lead vocalist of American punk rock band Green Day. He has played in several other bands, including The Frustrators.
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Image 13
Aida
Drawing credit: Philippe Chaperon; restored by Adam Cuerden
Aida is a grand opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its premiere there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today, the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886.

This picture is the set design for Act 1, Scene 2, of the opera's 1871 premiere, depicting the portico of the Temple of Vulcan, designed by Philippe Chaperon. The drawing is in the collection of the Bibliothèque nationale de France.
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Image 14
Les Troyens
Illustration credit: Antoine Barbizet; restored by Adam Cuerden
Les Troyens (The Trojans) is a French grand opera in five acts by Hector Berlioz, with a libretto written by the composer himself based on Virgil's Aeneid. The score was composed between 1856 and 1858, but Berlioz did not live long enough to see the work performed in its entirety. The first two acts were performed separately under the title La Prise de Troie. This picture shows the cover of the first-edition vocal score for La Prise de Troie, published in 1863.
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Griselda (A. Scarlatti)
Manuscript: Alessandro Scarlatti
Griselda is an opera seria in three acts by the Italian composer Alessandro Scarlatti. First performed in 1721, it is based on the story of Patient Griselda from Giovanni Boccaccio's Decameron. The libretto is by Apostolo Zeno, with revisions by an anonymous author. This manuscript copy by Scarlatti, held at the British Library, is of act one, scene one.
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