Portal:Pan-Africanism

Négritude is a framework of critique and literary theory, developed mainly by francophone intellectuals, writers, and politicians of the African diaspora during the 1930s. Its initiators included Martinican poet Aimé Césaire, Léopold Sédar Senghor (the first President of Senegal), and Léon Damas of French Guiana. Négritude intellectuals disavowed colonialism, and argued for the importance of a Pan-African racial identity among people of African descent worldwide. The intellectuals employed Marxist political philosophy, in the black radical tradition. The writers generally used a realist literary style, and some say they were also influenced somewhat by the Surrealist stylistics. In 1932, the manifesto "Murderous Humanitarianism" was signed by prominent Surrealists, including the Martinicans Pierre Yoyotte and J. M. Monnerot.

Frances Cress Welsing
Welsing receives Community Award at National Black LUV Festival on September 21, 2008
Born	Frances Luella Cress (1935-03-18)March 18, 1935 Chicago, Illinois, U.S.
Died	January 2, 2016(2016-01-02) (aged 80) Washington, D.C., U.S.
Alma mater	Antioch College (B.S.), Howard University (M.D.)
Occupation	Physician
Known for	The Isis Papers: The Keys to the Colors (1991)

Frances Cress Welsing (née Cress; March 18, 1935 – January 2, 2016) was an American Afrocentrist and psychiatrist. Her 1970 essay, The Cress Theory of Color-Confrontation and Racism (White Supremacy), offered her interpretation on the origins of what she described as white supremacy culture.

She was the author of The Isis Papers: The Keys to the Colors (1991). Welsing caused controversy after she said that homosexuality among African-Americans was a ploy by white males to decrease the black population.

The Arab slave trade was the intersection of slavery and trade in the Arab world, mainly in Western Asia, North Africa, East Africa and Europe. This barter occurred chiefly between the medieval era and the early 20th century. The trade was conducted through slave markets in these areas, with the slaves captured mostly from Africa's interior and Southern Europe.

African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.

Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed.

African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.

West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.