Purandara Dasa | |
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Personal | |
Born | Srinivasa Nayaka 1484 |
Died | January 2, 1564 | (aged 79–80)
Religion | Hinduism |
Spouse | Saraswati Bai |
Occupation | Carnatic Vocalist, scholar, Saint, poet, composer |
Organization | |
Philosophy | Dvaita, Vaishnavism |
Religious career | |
Guru | Vyasatirtha |
Language | Kannada |
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Purandara Dasa (kannada ಪುರಂದರ ದಾಸರು; IAST: Purandara dāsa)[2] (c. 1484 – c. 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India.[3] He was a follower of Madhvacharya's Dvaita philosophy. He was one of the chief founding proponents of Carnatic music. In honor of his contributions to Carnatic music, he is referred to as the Pitamaha (lit. "grandsire") of Carnatic music.[4][5][6][7] According to a legend, he is considered as an incarnation of Narada.[8][9]
Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Vishnu or Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India.[10][11][12] He formulated the basic lessons of teaching Carnatic music by structuring graded exercises known as Svaravalis and Alankaras,[10] and at the same time, he introduced the raga Mayamalavagowla as the first scale to be learnt by beginners in the field – a practice that is still followed today. He also composed Gitas (simple songs) for novice students.
Purandara Dasa is noted for composing Dasa Sahithya, as a Bhakti movement vocalist, and a music scholar. His younger contemporary, Kanakadasa, emulated his practice. Purandara Dasa's Carnatic music compositions are mostly in Kannada, though some are in Sanskrit. He signed his compositions with the ankitanama (pen name) "Purandara Vittala" (Vittala is another name of Vishnu) and this same form of Vishnu is his aaradhya daiva or ishta murthi or worshippable deity. His work was appreciated by many scholars of his time and later scholars.
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