| Regular tunings | |
|---|---|
 For regular guitar-tunings, the distance between consecutive open-strings is a constant musical-interval, measured by semitones on the chromatic circle. The chromatic circle lists the twelve notes of the octave. | |
| Basic information | |
| Aliases | Uniform tunings All-interval tunings |
| Advanced information | |
| Advantages | Provides new material for improvisation by advanced guitarists |
| Disadvantages | Makes it difficult to play music written for standard tuning. |
| Regular tunings (semitones) | |
| Trivial (0) | |
| Minor thirds (3) | |
| Major thirds (4) | |
| All fourths (5) | |
| Augmented fourths (6) | |
| New standard (7, 3) | |
| All fifths (7) | |
| Minor sixths (8) | |
| Guitar tunings | |
Among alternative guitar-tunings, regular tunings have equal musical intervals between the paired notes of their successive open strings.
Guitar tunings assign pitches to the open strings of guitars. Tunings can be described by the particular pitches that are denoted by notes in Western music. By convention, the notes are ordered from lowest to highest. The standard tuning defines the string pitches as E, A, D, G, B, and E. Between the open-strings of the standard tuning are three perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E.
In contrast, regular tunings have constant intervals between their successive open-strings:
- 3 semitones (minor third): Minor-thirds, or Diminished tuning
- 4 semitones (major third): Major-thirds or Augmented tuning,
- 5 semitones (perfect fourth): All-fourths tuning,
- 6 semitones (augmented fourth, tritone, or diminished fifth): Augmented-fourths tuning,
- 7 semitones (perfect fifth): All-fifths tuning
For the regular tunings, chords may be moved diagonally around the fretboard, as well as vertically for the repetitive regular tunings (minor thirds, major thirds, and augmented fourths). Regular tunings thus often appeal to new guitarists and also to jazz-guitarists, as they facilitate key transpositions without requiring a completely new set of fingerings for the new key. On the other hand, some conventional major/minor system chords are easier to play in standard tuning than in regular tuning.[1] Left-handed guitarists may use the chord charts from one class of regular tunings for its left-handed tuning; for example, the chord charts for all-fifths tuning may be used for guitars strung with left-handed all-fourths tuning.
The class of regular tunings has been named and described by Professor William Sethares. Sethares's 2001 chapter Regular tunings (in his revised 2010–2011 Alternate tuning guide) is the leading source for this article.[1] This article's descriptions of particular regular-tunings use other sources also.